My practice works through expanded photography, installation, and performative strategies to examine memory as a bodily and territorial inheritance. The archive operates as a fragile and unstable vestige through which stories of displacement, inherited silences, and fragmented genealogies shaped by violence and territorial crossings are reactivated. These investigations move between the intimate and the political, situating memory as a transgenerational and spatial process rather than a fixed record.

My work moves between documentary photography and constructed imagery, producing tensions between index and metaphor that resemble the structure of memory, dreams, and oral transmission. Photography is approached as an affective trace—an image that erodes, breathes, and transforms—rather than as evidence. Writing, oral storytelling, and performative gestures function as parallel languages through which knowledge circulates outside institutional frameworks of validation.

A recurring conceptual axis in my investigation is the house, understood as a symbolic and political structure marked by loss, fracture, and reconstruction. Domestic space becomes a site where feminine genealogies, religious imaginaries, and everyday rituals converge. Through installations and sculptural dispositifs, the photographic image is expanded into spatial and temporal configurations that resist linear historiography and propose counter-archives grounded in lived experience.

I completed a Bachelor of Arts with a specialization in New Media at the Faculty of Arts of the Autonomous University of the State of Morelos (UAEM) and graduated from the Photography Production Seminar at the Centro de la Imagen in Mexico City. This was followed by participation in the Young Antiracist Leadership Project (YALP) by RacismoMX and the receipt of the Young Creators Fellowship (SACPC) in Photography (2023). A solo exhibition, Reflejos descubiertos, was presented at Locomotora Workshops Gallery. Group exhibitions include Declaración(es) cuerpo (Centro de la Imagen and the Ministry of Cultures of Chile); Magical Realism: Latinas México (VASA Projects); Latinas: Le monde vu par les femmes d’Amérique Latine at 59 Rivoli, Paris; La materia que se borra (Centro de la Imagen); Arte en movimiento at Centro Cultural Los Pinos; and Miradas al paisaje: narrativas de identidad, memoria y entorno at CENART. I am currently a Master’s student in Artistic Production.

Since 2023, I have facilitated workshops focused on the conceptualization of artistic projects for art students and individuals interested in photography. This pedagogical work functions as an extension of my artistic research and as a strategy for decentralizing photographic knowledge and resisting folklorizing modes of representation.