Gail Albert Halaban, who lives and works in New York, began photographing when she was 6, when she made a camera for her first grade science fair. She holds an MFA from Yale University.
Her art explores the tension between public and private life, what is seen by all, and what is hidden. The series Out My Window is a collection of images taken through and into windows in New York City, she acknowledges unspoken voyeurism and exhibitionism, tells us to admit we all do it, and then pushes us to confront the hope, isolation and other emotions that lie behind the gaze.
The pictures seem intrusive, but are nearly all posed. The residents are collaborators and their apartments are lit specifically to make these pictures, which explore a defining urban experience: becoming secretly familiar with the neighbors’ most intimate moments.
In the end, the process of producing this series of images is a kind of performance that serves as a remedy for the symptoms that they portray: by ringing on doorbells, Albert-Halaban helps bring anonymous neighbors into each others’ lives. The set-up of the camera and the staging of the resultant photograph become an occasion for new friendships.
[Edwynn Houk Gallery]
Gail Albert Halaban, who lives and works in New York, began photographing when she was 6, when she made a camera for her first grade science fair. She holds an MFA from Yale University.
Her art explores the tension between public and private life, what is seen by all, and what is hidden. The series Out My Window is a collection of images taken through and into windows in New York City, she acknowledges unspoken voyeurism and exhibitionism, tells us to admit we all do it, and then pushes us to confront the hope, isolation and other emotions that lie behind the gaze.
The pictures seem intrusive, but are nearly all posed. The residents are collaborators and their apartments are lit specifically to make these pictures, which explore a defining urban experience: becoming secretly familiar with the neighbors’ most intimate moments.
In the end, the process of producing this series of images is a kind of performance that serves as a remedy for the symptoms that they portray: by ringing on doorbells, Albert-Halaban helps bring anonymous neighbors into each others’ lives. The set-up of the camera and the staging of the resultant photograph become an occasion for new friendships.
[Edwynn Houk Gallery]
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Bringing together paintings and drawings from Howell’s Series 10, the exhibition examines a question that sustained his practice for decades: how much difference is necessary for something to become visible?
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975