Marc Lagrange (1957-2015) was born in Kinshasa, Congo. His career path led him from engineering to photography, and his creativity from fashion to art. (more…)
Eva Presenhuber is committed to representing and nurturing an international and intergenerational roster of artists that reflects both historical and current discourses within contemporary art.
Galerie Eva Presenhuber is located in the Diagonal building at the former Maag Areal. Protected as a historical listed landmark, the typical 1900s industrial building Diagonal is situated next to the Prime Tower in Zurichs new urban area planned by Annette Gigon and Mike Guyer architects.
The New York branch functions as an important extension of the Zurich gallery.
Marc Lagrange (1957-2015) was born in Kinshasa, Congo. His career path led him from engineering to photography, and his creativity from fashion to art. (more…)
Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope. (more…)
Furthering Gray’s decade of working with marble, this series pushes the possibilities of the artist’s sculptural practice into novel territories of physical and psychological expression. (more…)
Sean Scully is one of the most important painters of his generation. While known primarily for his large-scale abstract paintings, Scully also works in a variety of diverse media, including printmaking, sculpture, watercolor and pastel.
Following the murder of George Floyd by police officers, demonstrations across the U.S. and beyond ignite against racism and police brutality, at times met with less than magnanimous authority.
Responding to her need to connect with others, Rania Matar captures the nuances of specific individuals while in quarantine, her subjects photographed through a door or window, connecting across barriers.
Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.
“The real value of this expansion is not more space, but space that allows us to rethink the experience of art in the Museum.” –Glenn D. Lowry, The David Rockefeller Director (more…)
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.