We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.
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Haus der Kunst / video still
Georg Baselitz
Artist
Georg Baselitz (born 23 January 1938, as Hans-Georg Kern, in Deutschbaselitz, Germany) is a German painter, sculptor and graphic artist. In the 1960s he became well known for his figurative, expressive paintings. Since 1969, he paints his subjects upside down in an effort to overcome the representational, content-driven character of his earlier work and stress the artifice of painting. Drawing from a myriad of influences, including art of Soviet era illustration art, the Mannerist period and African sculptures, he developed his own, distinct artistic language.
Since Baselitz grew up amongst the suffering and demolition of World War II, the concept of destruction plays a significant role in his life and work. These autobiographical circumstances have therefore returned throughout his whole oeuvre. In this context, the artist stated in an interview: “I was born into a destroyed order, a destroyed landscape, a destroyed people, a destroyed society. And I didn’t want to reestablish an order: I had seen enough of so-called order. I was forced to question everything, to be ‘naive’, to start again.” By disrupting any given orders and breaking the common conventions of perception, Baselitz has formed his personal circumstances into his guiding artistic principles. To this day, he still inverts all his paintings, which has become his unique and most defining feature in his work.
His work has been exhibited at the Guggenheim in New York, Kunstmuseum Basel, and Fondation Beyeler, among others, and has been represented at the Venice Biennale, Documenta, and the Biennale in São Paulo.
[edited from Wikipedia]
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