Giacomo Infantino was born in April ’93 in the province of Varese, he is currently majoring in New Technologies of art at the Accademia di Belle Arti of Brera in Milan. He approached pho- tography by observing and capturing natural landscapes. Today his research extends to the metamorphosis of the land- scape itself, his photographs enter the urban heart of the city and its suburbs, investigating human places and identity, also entering the daily habitat, the home. Night hours are mainly chosen to tell the essence of the places in which we live every day and that we often forget. The atmospheres are silent, almost eternal, surrounded by expressive and contrasting shades. Giacomo Infantino has the goal to create an anthropo- logical map, documenting and interpreting the places where he lives.
Giacomo Infantino was born in April ’93 in the province of Varese, he is currently majoring in New Technologies of art at the Accademia di Belle Arti of Brera in Milan. He approached pho- tography by observing and capturing natural landscapes. Today his research extends to the metamorphosis of the land- scape itself, his photographs enter the urban heart of the city and its suburbs, investigating human places and identity, also entering the daily habitat, the home. Night hours are mainly chosen to tell the essence of the places in which we live every day and that we often forget. The atmospheres are silent, almost eternal, surrounded by expressive and contrasting shades. Giacomo Infantino has the goal to create an anthropo- logical map, documenting and interpreting the places where he lives.
For its second exhibition since the opening of its Roman space, La Società delle Api presents I fiori del male, a project dedicated to the work of Chiara Camoni and curated by Alice Motard…
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.