For more than forty years, Sally Mann has made experimental, elegiac, and hauntingly beautiful photographs that span a broad body of work including figure studies, still lifes, and landscapes.
Graham Little (b. Dundee, UK, 1972) studied at Goldsmiths College, London, MA (1997); Research Associate (1998).
Graham Little blends Romanticism and Postmodernism in his intricately detailed gouache and colored pencil drawings, in which he revels in the textures, patterns, and composition of fashion advertisements, while simultaneously re-positioning his subjects as emotionally complex protagonists.
Little’s process is time-consuming and meticulous, he works for months on an individual painting, constructing richly textured scenes, interior and exterior tableaus referencing histories of visual representation from a range of archival imagery. Sourcing images from iconic fashion magazines such as Vogue and Harper’s Bazaar, dating from the mid-1970s to now, the works combine elements from the past and present to create enigmatic and ambiguous scenes woven with quiet narrative and emotion.
Little’s oblique, nostalgic yearnings bring elements of drama, intrigue and sobriety into scenes rendered through a soft-focus lens. The iconography of his paintings allows narrative reading through a collection of carefully composed symbols, all as important as each other. At once improbable and realistic, they are vehicles for his virtuosity and imbued with individuality and agency. Initial readings fragment and Little entices us to pause and stare at a rare moment of slowness, an open invitation to our perceptions in a world of accelerated information and hurried daily interaction.
Recent museum exhibitions include: Doing Identity. Die Sammlung Reydan Weiss, Kunstmuseum Bochum, Bochum (2017); a curated presentation in Mark Leckey: Containers and Their Drivers, MoMA PS1, New York (2016); Less is a Bore. Reflections on Memphis, KAI 10 | Arthena Foundation, Düsseldorf (2016); Manifesta 11, Zürich (2016); and I Prefer Life, Weserburg Museum of Modern Art, Bremen (2016).
Museum acquisitions include: Hammer Museum, Los Angeles; Museum of Contemporary Art, Los Angeles; and Museum of Modern Art, New York.
For more than forty years, Sally Mann has made experimental, elegiac, and hauntingly beautiful photographs that span a broad body of work including figure studies, still lifes, and landscapes.
Since its creation 30 years ago, the Pinault collection has grown quickly to become a major presence in the contemporary arts. This exhibition focuses on the British artists present in the collection. Artists include Nigel Cooke, Jonathan Wateridge, Lynette Yiadom-Boakye, Toby Ziegler, among others.
“History of art is a history of great things neglected and ignored and mediocre things being admired. At different times things are different. The history of photography is a history of changes.” –Saul Leiter (more…)
Drawing on personal heritage and fictional future projections, Sophia Al-Maria’s protagonists reflect on the narratives and languages they have inherited as children of various colonial legacies.
ARTPIL is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, ARTPIL provides stories, event news, interviews featuring profiles of artists of all disciplines, museums & galleries, agencies & organizations, both curated and from the public domain. (more…)
Nam June Paik’s experimental, innovative, yet playful work has had a profound influence on today’s art and culture. He pioneered the use of TV and video in art and coined the phrase ‘electronic superhighway’ to predict the future of communication in the internet age.
The Louisiana Museum embarks in the mission of acquainting the European public with a grand retrospective that gathers over one hundred works of Marsden Hartley, a key figure in American Modernism.
Thirty years after the Fall of the Berlin Wall and the collapse of the Soviet Union, Staatliche Kunsthalle Baden-Baden presents works by Boris Mikhailov, whose artistic stance displays a strong influence by the political and social changes of that time (more…)
This free inaugural event with its seven original exhibitions by artists including Thomas Struth, Laura Henno, Connie Slab, Lisette Model, Mary Ellen Mark, and others, is, above all, an opportunity to share a preview of the Institut pour la Photographie’s project.