Born in 1958 in Oran, Algeria Lise Sarfati lives and works between Paris and Los Angeles and is represented by Yossi Milo Gallery, NY, Rose Gallery, LA, La Galerie Particulière, Paris.
Gustav Klimt (1862 – 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt’s primary subject was the female body, and his works are marked by a frank eroticism – nowhere is this more apparent than in his numerous drawings in pencil.
Klimt became one of the founding members and president of the Wiener Sezession (Vienna Secession) in 1897 and of the group’s periodical Ver Sacrum (Sacred Spring). He remained with the Secession until 1908. The group’s goals were to provide exhibitions for unconventional young artists, to bring the best foreign artists works to Vienna, and to publish its own magazine to showcase members’ work. The group declared no manifesto and did not set out to encourage any particular style – Naturalists, Realists, and Symbolists all coexisted. The government supported their efforts and gave them a lease on public land to erect an exhibition hall. The group’s symbol was Pallas Athena, the Greek goddess of just causes, wisdom, and the arts – and Klimt painted his radical version in 1898.
I can paint and draw. … Only two things are certain. 1) I have never painted a self-portrait. I am less interested in myself as a subject for painting than I am in other people, above all women. But other subjects interest me even more. I am convinced that I am not particularly interesting as a person. There is nothing special about me. I am a painter who paints day after day from morning until night. Figures and landscapes, portraits less often. 2) I have the gift of neither the spoken nor the written word, especially if I have to say something about myself or my work. Whoever wants to know something about me – as an artist, the only notable thing – ought to look carefully at my pictures and try to see in them what I am and what I want to do…. –Gustav Klimt
Born in 1958 in Oran, Algeria Lise Sarfati lives and works between Paris and Los Angeles and is represented by Yossi Milo Gallery, NY, Rose Gallery, LA, La Galerie Particulière, Paris.
Feliza Bursztyn: Welding Madness is the first museum retrospective of Colombian artist Feliza Bursztyn to be presented outside of her home country. Bringing together approximately 50 sculptures, films and installations as well as archival material (more…)
Born in Northern France, Jean-Philippe Lebée is a photographer and director who is passionate about life and traveling. After his audiovisual and cinema studies, Jean-Philippe Lebée started to study photography at the school Gobelins in Paris. (more…)
Prager’s works are in collections of National Gallery of Victoria, Melbourne, The Museum of Modern Art, New York, The Whitney Museum of American Art, New York, Kunsthaus Zürich, Moderna Museet, Stockholm, and San Francisco Museum of Modern Art.
The work of Dineo Seshee Bopape is characterized by the use of organic and highly symbolic materials that allude to the concepts of memory, identity, and belonging. Soil is one of the most recognizable materials in her practice, and it is often mixed with other substances such as coal, ash, and clay (more…)
“History of art is a history of great things neglected and ignored and mediocre things being admired. At different times things are different. The history of photography is a history of changes.” –Saul Leiter (more…)
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
How is technological innovation dependent on raw materials? This question is center-stage in the exhibition Charging Myths by On-Trade-Off. This artists-collective traces the origins of lithium by starting from Manono, Democratic Republic of the Congo. (more…)
Tubes, chains, and wires seem to resemble organic contraptions as they loop, glide, and snake around and into each other. These appliances are stiff or pliable when tension is applied, moving slowly yet fitfully. The water, oil, and grime flowing all around emphasizes the angular rigidity of the metal (more…)