This exhibition at The Met Bauer considers Richter Gerhard’s six decade long preoccupation with the dual means of representation and abstraction to explore the material, conceptual, and historical implications of painting.
Heinrich Dunst was born in 1955 in Hallein (Salzburg, Austria), He lives and works in Vienna. Dunst creates spatial interventions and performances that navigate the gap between what can be seen and what can be said, the untranslatability of one form into another, and the contextual nature of spatial presentations. Dunst’s conceptual approach is rooted both in the work of artists like Marcel Broodthaers who scrutinize the systems underlying the perception of words and images, and in the Viennese scene of the 1980s and its characteristic ambition to extend abstract painting into the exhibition space. He lends these complex issues fresh interest by developing forms into correlations and pointedly questioning the seemingly unequivocal meaning of the elements through variation, superimposition, and changes of direction.