A striking new photographic voice engages with street portraiture to create dark, interior psychological spaces exploring the relationship between public and private lives. (more…)
Helen Levitt’s playful and poetic photographs, made over the course of sixty years on the streets of New York City, have delighted generations of photographers, students, collectors, curators, and lovers of art in general. The New York Times described her as: “a major photographer of the 20th century who caught fleeting moments of surpassing lyricism, mystery and quiet drama on the streets of her native New York”. Throughout her long career, Helen Levitt’s photographs have consistently reflected her poetic vision, humor, and inventiveness as much as they have honestly portrayed her subjects – men, women, and children acting out a daily drama on the sidewalks and stoops of New York City’s tenements.
She shot and edited the film In the Street with Janice Loeb and James Agee, providing a moving portrait of her still photography. Levitt’s first major museum exhibition was at the Museum of Modern Art in 1943, and a second solo show, of color work only, was held there in 1974. Major retrospectives of her work have been held at several museums: first in 1991, jointly at the San Francisco Museum of Modern Art and the Metropolitan Museum of Art in New York; in 1997 at the International Center for Photography in New York; and in 2001 at the Centre National la Photographie in Paris.
In 2007 “Helen Levitt: Un Art de l’accident poetique” opened at the Fondation Henri Cartier-Bresson in Paris; in 2008, the Sprengel Museum, Hannover, Germany chose Ms. Levitt as the recipient for the Spectrum International Photography Prize which was accompanied by a major retrospective; and FOAM Museum Amsterdam, mounted another major retrospective in October, 2008. She was a 2008 recipient of the Francis Greenburger award for excellence in the arts.
A striking new photographic voice engages with street portraiture to create dark, interior psychological spaces exploring the relationship between public and private lives. (more…)
We have fundamentally altered the earth’s ecosystem by disrupting the natural rhythm of our planet and in doing so have created a new chapter in the evolution of Earth and a new stage of uncertainty.
Hear You Athens is a series of 50 photographs and two letters, a correspondence between two friends, Georges Salameh and Alexandros Mistriotis. Their conversation, over the years, is summarized in this book. (more…)
Lu Guang was born in 1961, in Zhejiang Province, China. He has been passionate about photography since he held a camera for the first time, in 1980 when he was a factory worker in his hometown in Yongkang County. (more…)
Mouse on Mars is one of Germany’s most eccentric and remarkable electronic music projects. With an anarchic hybrid sound swinging between uncontrolled chaos and meticulously arranged structures, Andi Toma and Jan St. Werner have created a unique musical idiom that nonetheless never settles into definite form (more…)
The exhibition Belgium-Argentina: Transatlantic Modernisms, 1910–1958, focusses on the artistic connections between Belgium and Argentina in the first half of the 20th century when numerous exchanges took place, driven by migration and travel. (more…)
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
How is technological innovation dependent on raw materials? This question is center-stage in the exhibition Charging Myths by On-Trade-Off. This artists-collective traces the origins of lithium by starting from Manono, Democratic Republic of the Congo. (more…)
The Odyssey is a book, a myth, a world. This year, the Villa Carmignac will present an exhibition inspired by the Greek hero who sailed for ten years to return home after the Trojan War (The Iliad). (more…)