Olivier Malingue is pleased to present IN ABSENTIA, a group exhibition including works by Nobuyoshi Araki, Jean Fautrier, Lucio Fontana, Anish Kapoor, among several others. (more…)
Hilma af Klint (1862–1944) was a pioneer of art that turned away from visible reality. By 1906, she had developed an abstract imagery. This was several years before Wassily Kandinsky (1866–1944), Piet Mondrian (1872–1944) and Kazimir Malevich (1878–1935), who are still regarded as the pioneers of abstract 20th-century art.
Hilma af Klint assumed that there was a spiritual dimension to life and aimed at visualizing contexts beyond what the eye can see. When painting, she believed that she was in contact with a higher consciousness that spoke and conveyed messages through her. Like many of her contemporaries, she was influenced by spiritual movements, especially spiritualism, theosophy and later anthroposophy. Through her paintings, she sought to understand and communicate the various dimensions of human existence.
In her will, Hilma af Klint wrote that her abstract works must not be made accessible to the public until at least twenty years after her death. She was convinced that their full meaning could not be understood until then. One hundred years ago, Hilma af Klint painted pictures for the future.