Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
Since 1999, Huis Marseille has been situated on Keizersgracht 401 as Amsterdam’s first photography museum. In September 2013, the museum was expanded to include the neighboring building at Keizersgracht 399, providing it with a total of fourteen exhibition spaces, including the lightwell in 399. The museum offers a rich and varied exhibition programme with changeovers about four times per year. Since the expansion in 2013, there has been a lot of opportunity to show the museum’s own collection alongside the exhibition. The collection consists primarily of leading modern (national and international) photography.
How photographers develop a new visual language that is relevant to the artistic nature of photography, but which also reflects on this time? That is the question which is central to Huis Marseille, and which informs the exhibition programme and collection acquisitions. During an age in which photography has risen to wild popularity, available to all and omnipresent as (mass) medium, photography as an artistic medium is in constant flux. Huis Marseille chooses photography which focuses on a specific visual language and is characterized by a passionate spirit of inquiry, as part of an ongoing investigation into avant-garde innovation. Moreover, photography in Huis Marseille has social relevance and interfaces with the changing spirit of the times.









Since 1999, Huis Marseille has been situated on Keizersgracht 401 as Amsterdam’s first photography museum. In September 2013, the museum was expanded to include the neighboring building at Keizersgracht 399, providing it with a total of fourteen exhibition spaces, including the lightwell in 399. The museum offers a rich and varied exhibition programme with changeovers about four times per year. Since the expansion in 2013, there has been a lot of opportunity to show the museum’s own collection alongside the exhibition. The collection consists primarily of leading modern (national and international) photography.
How photographers develop a new visual language that is relevant to the artistic nature of photography, but which also reflects on this time? That is the question which is central to Huis Marseille, and which informs the exhibition programme and collection acquisitions. During an age in which photography has risen to wild popularity, available to all and omnipresent as (mass) medium, photography as an artistic medium is in constant flux. Huis Marseille chooses photography which focuses on a specific visual language and is characterized by a passionate spirit of inquiry, as part of an ongoing investigation into avant-garde innovation. Moreover, photography in Huis Marseille has social relevance and interfaces with the changing spirit of the times.









Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
Tate, in collaboration with Delfina Foundation, invites applications for the Brooks International Fellowship Programme 2027. Now in its thirteenth year, the programme will enable practitioners to work with Tate…
Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…
Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.