Founded in 1936 as the Boston Museum of Modern Art – a sister institution to New York’s MoMA – the museum was conceived as a laboratory where innovative approaches to art could be championed. The museum established a reputation for identifying important new artists, and in pursuit of this mission, eventually parted ways with MoMA and changed its name to the Institute of Contemporary Art in 1948. As the ICA’s reputation grew around the nation, it paved the way for other institutes and museums of “contemporary art” as well as artists’ spaces and alternative venues.
The Institute of Contemporary Art strives to share the pleasures of reflection, inspiration, provocation, and imagination that contemporary art offers through public access to art, artists, and the creative process.
The primary activities of the ICA are threefold:
To present outstanding contemporary art in all media, including visual art exhibitions, music, film, video, and performance, that is deserving of public attention and has not been presented in depth to Boston audiences
To provide innovative experiential learning opportunities for people of all ages through direct encounters with artists and art-making
To design interpretative programs that provide context for, develop appreciation of, and add meaning to contemporary art and culture.
Founded in 1936 as the Boston Museum of Modern Art – a sister institution to New York’s MoMA – the museum was conceived as a laboratory where innovative approaches to art could be championed. The museum established a reputation for identifying important new artists, and in pursuit of this mission, eventually parted ways with MoMA and changed its name to the Institute of Contemporary Art in 1948. As the ICA’s reputation grew around the nation, it paved the way for other institutes and museums of “contemporary art” as well as artists’ spaces and alternative venues.
The Institute of Contemporary Art strives to share the pleasures of reflection, inspiration, provocation, and imagination that contemporary art offers through public access to art, artists, and the creative process.
The primary activities of the ICA are threefold:
To present outstanding contemporary art in all media, including visual art exhibitions, music, film, video, and performance, that is deserving of public attention and has not been presented in depth to Boston audiences
To provide innovative experiential learning opportunities for people of all ages through direct encounters with artists and art-making
To design interpretative programs that provide context for, develop appreciation of, and add meaning to contemporary art and culture.
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
The UK’s first exhibition on Elsa Schiaparelli spans the 1920s to today, celebrating the innovative designer’s influence. It traces the fashion house’s groundbreaking origins and its evolution under current creative director Daniel Roseberry.
Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.