Born on May 1, 1968 in Bordeaux, France, Alain Laboile is a photographer and father of six. In 2004, as he needed to put together a portfolio of his work as a sculptor, he acquired a camera, and thus developed a taste for macrophotography...

Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.

‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.

Fondazione Prada recognises cinema as a privileged environment for the expression of creativity and an essential way for safeguarding freedom of artistic expression and promoting the plurality of cultural identities that characterize contemporary society.

In Modigliani sottopelle. Four Masterpieces Amedeo Modigliani’s Nu couché, part of the Permanent Collection of Pinacoteca Agnelli, is placed in dialogue with three other masterpieces by the artist to offer new interpretations and a more articulated understanding...

Ettore Sottsass (1917–2007) was a globally acclaimed master of twentieth-century Italian design. Starting in the 1950s, he created masterworks as a designer for Olivetti and Poltronova. In 1981, he organized the Memphis Group, an international design collective.

The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…

The John Simon Guggenheim Memorial Foundation offers fellowships to exceptional individuals in pursuit of scholarship in any field of knowledge and creation in any art form, under the freest possible conditions.

In a softly shimmering blue, then brown, then green, then gray, then pink, then green, then violet, then blue again, the colors of present day New Mexico landscapes are layered horizontally.

The 61st International Art Exhibition of La Biennale di Venezia – In Minor Keys by Koyo Kouoh (1967–2025) – will run from Saturday 9 May to Sunday 22 November 2026 (preview 6, 7, 8 May) at the Giardini and the Arsenale venues, and in various locations around Venice.

Art connects islands across thousands of miles in “Imagining an Archipelago: Art from Cuba, Guam, the Philippines, Puerto Rico, and Their Diasporas.” The visually stunning exhibition brings together more than 40 contemporary artists...

For more than five decades, sound artist and composer Christina Kubisch (born in 1948 in Bremen) has been making artworks at the intersection of visual art and music, combining composition, installation, performance, drawing, video, and electronic music.

Everything has edges. Has contours. An object or an image always begins somewhere and ends somewhere else, rubbing into whatever is nearby on either side. These edges indicate the area where something meets its own exterior...

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

HYBRIDS: Forging New Realities as Counter-Narrative aims to explore the new atmosphere of trans-disciplinary experimentation across divergent fields and sectors in the arts.

A promise binds the one who makes it to the unknown. By linking the present to an uncertain future, it becomes a form of foundation. To promise is to take responsibility for what does not yet exist.

If Ryuichi Sakamoto had been born in 16th century Italy, we’d know what to call him: a Renaissance Man. But since he was born in Japan in the mid-20th century, we have to string together words like composer, musician, producer, actor, and environmental activist.

The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.