Iness Rychlik
Photographer

Iness Rychlik is a Polish-born photographer and filmmaker with a particular interest in historical drama. Despite her severe myopia, she has been dedicated to visual storytelling for over a decade.

Iness graduated with First Class Honors in Film from Screen Academy Scotland. Set in Victorian London, her final-year film ‘The Dark Box’ follows an unhappily married woman, who pursues photography to escape from her oppressive relationship. ‘The Dark Box’ premiered at Camerimage 2016, where Iness received a Golden Tadpole nomination for her cinematography. Most recently, she shot and directed two mini-documentaries about art for the BBC Scotland.

Rychlik is recognized for her dark conceptual erotica, which has been awarded and exhibited all around the world. She is fascinated by the idea of conveying sexuality and cruelty in a subtle evocative way. Her self-portraits provoke the viewer’s imagination, rather than satisfy it.

Iness Rychlik
Photographer

Iness Rychlik is a Polish-born photographer and filmmaker with a particular interest in historical drama. Despite her severe myopia, she has been dedicated to visual storytelling for over a decade.

Iness graduated with First Class Honors in Film from Screen Academy Scotland. Set in Victorian London, her final-year film ‘The Dark Box’ follows an unhappily married woman, who pursues photography to escape from her oppressive relationship. ‘The Dark Box’ premiered at Camerimage 2016, where Iness received a Golden Tadpole nomination for her cinematography. Most recently, she shot and directed two mini-documentaries about art for the BBC Scotland.

Rychlik is recognized for her dark conceptual erotica, which has been awarded and exhibited all around the world. She is fascinated by the idea of conveying sexuality and cruelty in a subtle evocative way. Her self-portraits provoke the viewer’s imagination, rather than satisfy it.

  • Polly Braden: Leaving Ukraine
    Mar 15 – Sep 15, 2024
    Foundling Museum
    London, UK
    Polly Braden: Leaving Ukraine is an intimate portrait of women, forced to leave their homes following the Russian invasion of Ukraine on 24 February 2022. In this new series of work we see the extraordinary journeys undertaken by mothers, daughters, teenagers and babies in arms. Since the outbreak of the war in Ukraine, Polly Braden has used her camera to document the lives of women and children unexpectedly scattered across Europe. (more…)
  • Michela de Mattei & Toby Christian: Flash_Looking
    May 17 – Jul 5, 2024
    Belmacz
    London, UK
    The phrase ‘flash-looking’ suggests something slick and shiny, a high-gloss finish, a smooth way of operating. As a synchronising of parts, the phrase also suggests a quick glance, a glimpse, something seen out of the of corner of one’s eye: “What’s that”. Flash_Looking, featuring Toby Christian and Michela de Mattei, works through these connotations and more. Brought in dialogue, Toby and Michela’s artworks speak with and across each other with an anachronistic elegance (more…)
  • How Not to Be Seen
    May 10 – Sep 8, 2024
    Remai Modern
    Saskatoon, Canada
    We may not always be aware of it, but we live in an era of continuous scrutiny. Modern technology captures, distributes, and analyzes images and data at ever-increasing rates. We are all subjects of tracking, not only by cameras employed purportedly as a deterrent for crime but also by digital tools used by corporations and governments alike to monitor and evaluate our actions, needs, and desires. (more…)
  • Marguerite Humeau: Orisons
    Jul 29, 2023 – Jun 30, 2025
    Black Cube
    Hooper, USA
    Marguerite Humeau’s Orisons is a subtle, 160-acre earthwork that transforms an unfarmable plot of land in Colorado’s San Luis Valley into a place of reverence, honoring its expansive history, existing ecosystem, and imaginable futures. The work consists of the land in its entirety, as well as a series of eighty-four kinetic and interactive sculptures that invoke the land’s histories and vast network of interrelations. (more…)
  • A Model
    Feb 9 – Sep 8, 2024
    Mudam
    Luxembourg
    We all have ideas of what a contemporary art museum should be. Those who founded Mudam Luxembourg, for example, envisioned a museum that would encompass many aspects of contemporary culture, such as art, design and architecture. While one believes the museum to be a place for the presentation of modern art, others view it as a showcase for Luxembourgish creation. And some see Mudam as a space for collectivity, for openness, for events and an experimental approach. (more…)
  • Mani Mazinani and Sanaz Mazinani: Dastgāh
    Jun 4 – Oct 31, 2024
    Evergreen Brick Works
    Toronto, Canada
    How do you listen? What do you hear? Nestled in the Don River ravines amidst urban trails and the Don Valley Parkway, Dastgāh is a sound sculpture that asks visitors to open their ears and listen differently. Created by the brother and sister duo Mani Mazinani and Sanaz Mazinani, the instrument takes its title from the Farsi term “dastgāh,” and can be literally translated as a “hand” (dast) and “gāh” (way) or “set of directions,” a modal system that serves as the foundation for composition and improvisation in Iranian music. (more…)
  • RAY Echoes. Emotion
    May 3 – Sep 1, 2024
    Museum Angewandte Kunst
    Frankfurt am Main, Germany
    For decades, the art institutions and collections in Frankfurt and the Rhine-Main region have been home to a remarkable density and expertise in the field of photography and related media. Following on from the first four successful editions of RAY the Triennial of Photography, eleven cooperating institutions are once again joining forces to make this focus internationally visible. With exhibitions, numerous events, and a three-day festival on the triennial theme of ECHOES, RAY offers a multifaceted exploration of photography. (more…)
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