Kunstmuseum St. Gallen presents Siobhán Hapaska whose sculptures contain political, social, and ideological aspects, but also reflect elements of technology and nature. (more…)
Kunstmuseum St. Gallen presents Siobhán Hapaska whose sculptures contain political, social, and ideological aspects, but also reflect elements of technology and nature. (more…)
Gray is pleased to present Nocturne, a solo exhibition of new sculpture by Jaume Plensa. Debuting nine of the artist’s latest works in stone, glass, steel, and bronze, Nocturne explores the artist’s range and mastery of sculptural portraiture. (more…)
Property: something protected or shared or forcefully taken, something gained or lost or desired or enjoyed. Private property plays a role in well-being, some philosophers have argued, but it’s also been the basis for all kinds of exploitation, as history has shown. (more…)
The exhibition brings together for the first time the British photographer Martin Parr and the two creators of the magazine TOILETPAPER, Maurizio Cattelan and Pierpaolo Ferrari, for a hypnotic journey into the heart of a visual repertoire bursting with colors. (more…)
In parallel with the continuity of extremist rightwing political ideas there is an afterlife of the repeated representation of fascism in art and literature and an appropriation of its aesthetic set pieces in popular culture and (transgressive) subculture. (more…)
It was four years ago Artpil was founded, on the steps of the Colosseum, under the dome of San Pietro, or in the halls of the Pantheon; or perhaps by the ruins of the Roman Forum, along the canals of the Tiber, and in the cobble stone alleys of Centro storico. (more…)
CHART launches its de-centered program of exhibitions, talks and events taking place in each participating gallery marking the eighth edition of the annual Nordic event for contemporary art.
Sons of Cain, written and directed by Keti Stamo, is set in a small village in northern Albania. In this place, time is suspended and the severe rules of an old code, Kanun, still dictate the life and death of the inhabitants.. (more…)
American artist Rashid Johnson stages a major new site-specific commission at The Power Plant. Ricocheting between the opposing walls of this narrow passage, these works are a continuation of Johnson’s series known as Anxious Audiences.
It isn’t everyday that you walk into a photography museum to see images taken with an iPhone hanging on the walls. In fact, iPhones are what take images we see on the walls of museums, not the other way around. (more…)
Photographs are “privileged moments” plucked from time and space by photographers – or so Susan Sontag reminds us. Often in photographic history and elsewhere, that authorial privilege has been afforded to men. Refreshingly, the moments presented to us at Elizabeth Houston Gallery are decidedly women’s. (more…)
We have fundamentally altered the earth’s ecosystem by disrupting the natural rhythm of our planet and in doing so have created a new chapter in the evolution of Earth and a new stage of uncertainty.