Iris Schomaker
Artist

Born in 1973 in Stade, Germany, Iris Schomaker has reached international acclaim through her often large-scale, watercolor paintings of landscapes and figures. What is actually represented in her paintings is secondary to Schomaker’s oeuvre: her work is primarily about the process of representation, about exploring painterly possibilities and the reproduction of atmospheric content. The artist finds her own original visual language in the tension between figurative representation and painterly abstraction.

Schomaker’s palette, mainly applied onto paper, is quiet, and its pastel hues diverge little from black, white, and grey tones. This lends her paintings a drawing-like aspect, which is emphasized still further by the remaining traces of the working process. The searching movements of the lines that document the process of composition appear through the glazed application of paint and fuse with them. Her paintings are just as much about the process of capturing something in a drawing and the discovery of a painterly composition, as they are about the motif itself and its atmospheric and physical qualities.

Iris Schomaker studied Fine Arts in Kiel, Germany, and Trondheim and Bergen, Norway. She has participated in various national exhibitions, including Berlinische Galerie in 2007 and 2010 and in 2013 at Frankfurter Kunstverein. In 2014 she was participant at the biennale in Posnan. Her works can be found in numerous public and private collections.

The artist lives and works in Berlin.

[Galerie Thomas Schulte]

Iris Schomaker
Artist

Born in 1973 in Stade, Germany, Iris Schomaker has reached international acclaim through her often large-scale, watercolor paintings of landscapes and figures. What is actually represented in her paintings is secondary to Schomaker’s oeuvre: her work is primarily about the process of representation, about exploring painterly possibilities and the reproduction of atmospheric content. The artist finds her own original visual language in the tension between figurative representation and painterly abstraction.

Schomaker’s palette, mainly applied onto paper, is quiet, and its pastel hues diverge little from black, white, and grey tones. This lends her paintings a drawing-like aspect, which is emphasized still further by the remaining traces of the working process. The searching movements of the lines that document the process of composition appear through the glazed application of paint and fuse with them. Her paintings are just as much about the process of capturing something in a drawing and the discovery of a painterly composition, as they are about the motif itself and its atmospheric and physical qualities.

Iris Schomaker studied Fine Arts in Kiel, Germany, and Trondheim and Bergen, Norway. She has participated in various national exhibitions, including Berlinische Galerie in 2007 and 2010 and in 2013 at Frankfurter Kunstverein. In 2014 she was participant at the biennale in Posnan. Her works can be found in numerous public and private collections.

The artist lives and works in Berlin.

[Galerie Thomas Schulte]

  • A Home for Something Unknown
    Mar 2 – Apr 28, 2024
    Neuer Berliner Kunstverein
    Berlin, Germany
    With the exhibition A Home for Something Unknown, Neuer Berliner Kunstverein (n.b.k.) and Haus am Lützowplatz present works by 27 international artists living in Berlin who were awarded the Berlin Senate 2023 visual arts work stipend. The twofold increase in the number of artists receiving this scholarship, as well as the heightened international representation of recipients compared to previous years, underscore Berlin’s deep commitment to fostering and celebrating the visual arts (more…)
  • Augusto Daolio: Uno Sguardo Libero
    Apr 12 – May 12, 2024
    Spazio Musa
    Turin, Italy
    Augusto Daolio: Uno Sguardo Libero is the new exhibition to be held at Spazio Musa from April 12 to May 12, 2024. Historical leader of Nomadi, Augusto Daolio was for several decades one of the most beloved singers of Italian music. The intent of this exhibition is above all to show how his figure as an artist, his poetics and his creativity were, even several decades ago, capable of interpreting the feelings of the younger generations, as well as anticipating. (more…)
  • Ritual in Transfigured Time
    Mar 22 – May 26, 2024
    NW
    Aalst, Belgium
    The new NW is inaugurated with the opening exhibition Ritual in Transfigured Time, named after the 1946 short film of the same name by Maya Deren (Kiev, 1917–New York, 1961). Deren, whose life was driven by a desire for freedom, was a guiding light for us in devising the exhibition and film programme, as well as the principles of our revitalised organisation: dialogue, collaboration, experiment and the breaking down of boundaries. (more…)