Dance is my life. It has kept me alive. Performance is a natural extension of it and through it. I’ve made my most cherished human connections. (more…)
Jaromír Funke (1896–1945) studied medicine, law and philosophy at Charles University in Prague. By 1922 he was a leader of the young opposition movement in photography and a founder of the Czech Society of Photography (1924) whose mission was to create photography that would fulfill new social functions. In his work Funke managed to combine some of the leading trends in modernist European photography, uniting constructivism and functionalism with surrealism and social commentary, with traditional Czech aesthetics. His interest in modernist ideas led him to make clearly focused studies of simple objects. As the decade progressed, he turned to the production of carefully arranged still lifes emphasizing abstract form and the play of light and shadow. During this time he also produced several important series of photographs, including two inspired by the images of Eugène Atget: Reflexy (Reflections, 1929) and as trvá (Time Persists, 1930-34).
Funke was also influential as a teacher, first at the School of Arts and Crafts, Bratislava (1931-34/35), which followed a Bauhaus-inspired curriculum, and then at the State School of Graphic Arts, Prague (1935-44). While in Bratislava, he became interested in social documentary photography and joined the leftist group Sociofoto, which was concerned with recording the living conditions of the poor. Throughout his career Funke published articles and critical reviews dealing with photography. From 1939-41 he worked with Josef Ehm to edit the magazine Fotografik obzor (Photographic Horizon).
Jaromír Funke’s works are part of many renowned collections, including Paul Getty Museum, Los Angeles, Museum of Modern Art, New York, Centre Pompidou in Paris, and the Tokyo Photographic Art Museum.
[Howard Greenberg Gallery]
Dance is my life. It has kept me alive. Performance is a natural extension of it and through it. I’ve made my most cherished human connections. (more…)
As of Friday, February 25, 2022, The Calvert Journal ceased publication until further notice. At a time when Russian acts of war are being committed in Ukraine, we cannot in good conscience continue our work covering culture and the arts like business as usual. (more…)
In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)
For his 2022 New Museum Residency, movement artist and researcher Ilya Vidrin investigates the labor and moral textures of intimate physical care through discussion, experimental workshops, and live performance. (more…)
William Eggleston is one of the most influential photographers of the latter half of the 20th century, credited with pioneering fine art color photography in his iconic depictions of the American South. (more…)
Twin brothers Jalan & Jibril Durimel draw inspiration through their diversified upbringing between the French Antilles and the US. Born in Paris to parents from the island of Guadeloupe (more…)
Over the past six years, photographer Mark Power has travelled across the US to create a complex visual narrative of a country in the midst of change. This new book, Good Morning, America (Volume One), represents a personal and timely exploration of both the American cultural and physical landscape (more…)
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)