Jens Fänge was born in 1969 in Gothenburg, Sweden. He currently lives and works in Stockholm.
Solo and group exhibitions have included Centre d’art contemporain Meymac, France; Galerie Perrotin, Paris and Hong Kong; Arnstedt Östra Karup, Båstad, Sweden; ABC Station Berlin; Galleri Magnus Karlsson, Stockholm; Eskilstuna Konstmuseum, Sweden; Galleri Erik Steen, Oslo; Gothenburg Museum of Art, Gothenburg, Sweden; XVI Vilnius Painting Triennial, Vilnius, Poland; Stockholm Konsthall, Stockholm; ARKEN Museum of Contemporary Art, Ishoj, Danmark; Victoria Miro Warehouse, London; Museum of Contemporary Art, Oslo; Moderna Museet, Stockholm; Jack Hanley Gallery, San Francisco; and has participated in the Venice Biennale and Art Basel.
Jens Fange
Jens Fänge was born in 1969 in Gothenburg, Sweden. He currently lives and works in Stockholm.
Solo and group exhibitions have included Centre d’art contemporain Meymac, France; Galerie Perrotin, Paris and Hong Kong; Arnstedt Östra Karup, Båstad, Sweden; ABC Station Berlin; Galleri Magnus Karlsson, Stockholm; Eskilstuna Konstmuseum, Sweden; Galleri Erik Steen, Oslo; Gothenburg Museum of Art, Gothenburg, Sweden; XVI Vilnius Painting Triennial, Vilnius, Poland; Stockholm Konsthall, Stockholm; ARKEN Museum of Contemporary Art, Ishoj, Danmark; Victoria Miro Warehouse, London; Museum of Contemporary Art, Oslo; Moderna Museet, Stockholm; Jack Hanley Gallery, San Francisco; and has participated in the Venice Biennale and Art Basel.
Jens Fange
Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.