






John Gerrard (b. 1974, Ireland) is an artist best known for his commitment to large-scale works that take the form of real-time computer simulations, created in painstaking detail over the course of many months or years.
A key contemporary figure in the development of digital media, his works are simulations and virtual worlds deceptively looking like film or video. The works frequently refer to structures of power and networks of energy that have made possible the expansion of human endeavor in the past century. Recent solo presentation include: Western Flag, commissioned by Channel 4, presented by Somerset House, London (2017); Ullens Centre for Contemporary Art, Beijing, China (2016); and Exercise, Darmstadt Kunsthalle, Darmstadt, Germany (2015). Gerrard has presented work in many international group shows including EVA in 2010, and most recently at Manifesta 12 Palermo.
Gerrard is represented by Thomas Dane Gallery, London, and Simon Preston Gallery, New York
[Manifesta / EVA.ie]
John Gerrard (b. 1974, Ireland) is an artist best known for his commitment to large-scale works that take the form of real-time computer simulations, created in painstaking detail over the course of many months or years.
A key contemporary figure in the development of digital media, his works are simulations and virtual worlds deceptively looking like film or video. The works frequently refer to structures of power and networks of energy that have made possible the expansion of human endeavor in the past century. Recent solo presentation include: Western Flag, commissioned by Channel 4, presented by Somerset House, London (2017); Ullens Centre for Contemporary Art, Beijing, China (2016); and Exercise, Darmstadt Kunsthalle, Darmstadt, Germany (2015). Gerrard has presented work in many international group shows including EVA in 2010, and most recently at Manifesta 12 Palermo.
Gerrard is represented by Thomas Dane Gallery, London, and Simon Preston Gallery, New York
[Manifesta / EVA.ie]







Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…
Across generations, the Stars and Stripes has inspired pride, protest, and profound artistic expression. From battlefields to modern cultural movements, our flag’s journey through art reveals a nation constantly redefining itself.
Van Herpen transcends conventional clothing norms while embracing both traditional couture artisanship and innovative techniques. Ranging from the micro to the macro, the exhibition explores the body’s place in space…
Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…