This exhibit draws from Jackson Fine Art’s 30 year history of showing some of the most distinguished female voices in photography, illustrative of the gallery’s evolving vision through the years.
Jorie Graham was born in New York City in 1950, the daughter of a journalist and a sculptor. She was raised in Rome, Italy and educated in French schools. She studied philosophy at the Sorbonne in Paris before attending New York University as an undergraduate, where she studied filmmaking. She received an MFA in poetry from the University of Iowa.
Graham is the author of numerous collections of poetry, most recently Sea Change(Ecco, 2008), Never(2002), Swarm(2000), and The Dream of the Unified Field: Selected Poems 1974-1994, which won the 1996 Pulitzer Prize for Poetry.
About her work, James Longenbach wrote in the New York Times: “For 30 years Jorie Graham has engaged the whole human contraption – intellectual, global, domestic, apocalyptic – rather than the narrow emotional slice of it most often reserved for poems. She thinks of the poet not as a recorder but as a constructor of experience. Like Rilke or Yeats, she imagines the hermetic poet as a public figure, someone who addresses the most urgent philosophical and political issues of the time simply by writing poems.”
Graham has also edited two anthologies, Earth Took of Earth: 100 Great Poems of the English Language(1996) and The Best American Poetry 1990.
Her many honors include a John D. and Catherine T. MacArthur Fellowship and the Morton Dauwen Zabel Award from The American Academy and Institute of Arts and Letters.
She has taught at the University of Iowa Writers’ Workshop and is currently the Boylston Professor of Rhetoric and Oratory at Harvard University. She served as a Chancellor of The Academy of American Poets from 1997 to 2003.
Over and Over Stitch
Late in the season the world digs in, the fat blossoms
hold still for just a moment longer.
Nothing looks satisfied,
but there is no real reason to move on much further:
this isn’t a bad place;
why not pretend
we wished for it?
The bushes have learned to live with their haunches.
The hydrangea is resigned
to its pale and inconclusive utterances.
Towards the end of the season
it is not bad
to have the body. To have experienced joy
as the mere lifting of hunger
is not to have known it
less. The tobacco leaves
don’t mind being removed
to the long racks – all uses are astounding
to the used.
There are moments in our lives which, threaded, give us heaven –
noon, for instance, or all the single victories
of gravity, or the kudzu vine,
most delicate of manias,
which has pressed its luck
this far this season.
It shines a gloating green.
Its edges darken with impatience, a kind of wind.
Nothing again will ever be this easy, lives
being snatched up like dropped stitches, the dry stalks of daylilies
marking a stillness we can’t keep.