Once again, the movements of #WhileBlack and Black Lives Matter have been invoked by the swift succession of recent incidents reminding us that the pandemic is not solely from without.
Kapwani Kiwanga’s work often manifests as installations, sound, video, and performance. She intentionally confuses truth and fiction in order to unsettle hegemonic narratives and create spaces in which marginal discourse can flourish. As a trained anthropologist and social scientist, she occupies the role of a researcher in her projects. Her methodology includes fashioning systems and establishing protocols as in scientific experimentation to delineate lenses through which one can observe culture and it’s characteristic propensity toward mutation. Afrofuturism, anti-colonial struggle and it’s memory, belief systems, vernacular and popular culture are but some of the research areas which inspire her practice. [Tanja Wagner]
Kapwani Kiwanga studied Anthropology and Comparative Religion at McGill University, Canada. She has presented solo exhibitions at The Power Plant, Toronto, Canada; La Ferme de Buisson, Noisiel, France; South London Gallery, London, UK; and the Jeu de Paume, Paris, France. Recent group exhibitions include the Hammer Museum, UCLA, Los Angeles; EVA Biennial, Limerick; Irish Museum of Modern Art, Dublin; SALT, Istanbul; and the Museo de Arte Contemporáneo de Castilla y Léon. In 2018 she was the subject of a solo exhibition, A wall is just a wall (and nothing more at all) organized by the Esker Foundation, Calgary. She is the recipient of the 2018 Sobey Art Award. [MIT List]