Founded over a hundred years ago evolving through various names and dates, this fulcrum of women’s rights, International Women’s Day, was adopted by the United Nations only in 1975 (more…)
Karma was founded in April 2011 by Brendan Dugan in a small storefront in the West Village, New York. Starting in 2015, Karma’s focus shifted from project-based exhibitions towards formal artist representation. The gallery program has always been a mixture of young, established, and under-recognized artists as well as artists’ estates. Karma plans to continue this diverse program as the formal roster continues to develop.
Founded over a hundred years ago evolving through various names and dates, this fulcrum of women’s rights, International Women’s Day, was adopted by the United Nations only in 1975 (more…)
What do you hold close? Where is your secret place of belonging? If you had to leave everything behind and begin again – who would you be? As the world around us is unravelling, have we stopped dreaming of another?
Ingeborg Strobl’s oeuvre is moored in the tradition of conceptual and intermedia art. Natural and animal subjects acting as mirror images of society take up a central role in her work (more…)
William Eggleston is one of the most influential photographers of the latter half of the 20th century, credited with pioneering fine art color photography in his iconic depictions of the American South. (more…)
Allan Sekula was an American photographer, writer, critic and filmmaker. Born in Erie, Pennsylvania in 1951, he lived most of his life in Los Angeles and the surrounding regions of southern California.
For six decades, World Press Photo has been expanding its mission as an independent nonprofit, drawing on experience to guide visual journalists, storytellers, and audiences around the world.
I re-discover parts of my cultural heritage, portraying the different facets of the life of mountain villages in between the Italian and Slovenian borders. What I found was a community of survivors. (more…)
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.