Kasia Fudakowski
Artist / Performer
Kasia Fudakowski (b. 1985, living in Berlin) explores the relationship between artist, object and observer in her work. Her sculptures, videos and performances shift between the projection area and action and associatively tell of societal expectations and subjective desires. The resulting inconsistencies or reversals are elements of the comic. Whether it is a response to a laugh, whether the artist and viewer are in a state of alienation or surrender to the ridiculousness; these are the questions that Fudakowski explicitly examines in her performances and the accompanying videos.
The ceramic, rattan, metal, salt dough and clay sculptures play with the human need to recognize itself in everything, and emulate anthropomorphic figures. Fudakowski, for her part, practices craft camouflage, in that she used a material as though it were something else. These strategies produce set pieces of associative and differential constellations, not least questioning the possibilities and necessities of the social “preservation” of a subject.
Kasia Fudakowski
Artist / Performer
Kasia Fudakowski (b. 1985, living in Berlin) explores the relationship between artist, object and observer in her work. Her sculptures, videos and performances shift between the projection area and action and associatively tell of societal expectations and subjective desires. The resulting inconsistencies or reversals are elements of the comic. Whether it is a response to a laugh, whether the artist and viewer are in a state of alienation or surrender to the ridiculousness; these are the questions that Fudakowski explicitly examines in her performances and the accompanying videos.
The ceramic, rattan, metal, salt dough and clay sculptures play with the human need to recognize itself in everything, and emulate anthropomorphic figures. Fudakowski, for her part, practices craft camouflage, in that she used a material as though it were something else. These strategies produce set pieces of associative and differential constellations, not least questioning the possibilities and necessities of the social “preservation” of a subject.
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The Shadow PandemicViolence against Women in Times of CovidThe U.N. has designated November 25th as International Day for the Elimination of Violence Against Women. By truism, this is a proposition that states really nothing beyond what is implied by its terms… (more…)
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Good Morning, America / Vol. 1PublicationOver the past six years, photographer Mark Power has travelled across the US to create a complex visual narrative of a country in the midst of change. This new book, Good Morning, America (Volume One), represents a personal and timely exploration of both the American cultural and physical landscape (more…)
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Rencontres d’ArlesPhotography FestivalEvery summer since 1970, over the course of more than forty exhibitions at various of the city’s exceptional heritage sites, the Rencontres d’Arles has been a major influence in disseminating the best of world photography (more…)
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COLLECTIONSAvailable Works for SaleWelcome to the new Online Boutique of Artpil with unique contemporary art works, limited edition photography, and monograph artist and photo books available for purchase. Here are some featured collections: (more…)
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Bayil – Behind The HillsBayil, BakuOn the horizon of the district between old, handmade fences and the sky, you can see the newly built glass skyscrapers in the bright light of the coastal center of the city, as if portending future innovations of Bayil. (more…)
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A Photographic Life: Ashleigh ColemanEpisode 186In Episode 186 The United Nations of Photography founder and curator Grant Scott is in his shed reflecting on commitment to photography and photographers, never getting old, questioning funded photographic institutions (more…)
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Allan SekulaPHOTOGRAPHER / FILMMAKERAllan Sekula was an American photographer, writer, critic and filmmaker. Born in Erie, Pennsylvania in 1951, he lived most of his life in Los Angeles and the surrounding regions of southern California. (more…)
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Hagenbund. From Moderate To Radical ModernismSep 16, 2022 – Feb 6, 2023The artists’ association Hagenbund was founded in 1900 in response to the conservatism of the Künstlerhaus. Latest by the 1920s, it had established itself as “today’s most radical group” (Robert Musil, 1922) within Viennese artists’ associations. (more…)
