It isn’t everyday that you walk into a photography museum to see images taken with an iPhone hanging on the walls. In fact, iPhones are what take images we see on the walls of museums, not the other way around. (more…)

Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. (more…)

After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.

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The title of the exhibition Figure One refers to the illustrations in forensic pathology books, which inspired the show. In these books, meaning is constructed through fragmented images accompanied by detailed descriptions. (more…)

Duplication, reflection, the difference between certainty and illusion together with the fantastic breaking into reality all show just how tricky it is to make a clear distinction between the three realms of subjectivity (more…)

Prager’s works are in collections of National Gallery of Victoria, Melbourne, The Museum of Modern Art, New York, The Whitney Museum of American Art, New York, Kunsthaus Zürich, Moderna Museet, Stockholm, and San Francisco Museum of Modern Art.

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On the horizon of the district between old, handmade fences and the sky, you can see the newly built glass skyscrapers in the bright light of the coastal center of the city, as if portending future innovations of Bayil. (more…)

Marc Lagrange (1957-2015) was born in Kinshasa, Congo. His career path led him from engineering to photography, and his creativity from fashion to art. (more…)

Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.

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