Alice Rohrwacher was born in 1982 in Fiesole, Tuscany, Italy. She is a writer and director, known for Le Meraviglie (The Wonder), 2014, Corpo Celeste (Heavenly Body), 2011, and 9×10 novanta (2014).

Fotografiska Tallinn brings a photo exhibition to Finland for the first time. Entitled PLAY, the group exhibition is part of the European Capital of Culture programme...

Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975

In today’s world, our commitment to connecting community with world-class creative innovators has never been more vital. Vanguard dance, music, and adventurous theater artists offer fresh ideas and energy, while bringing us together...

Kishio Suga brings together a representative group of the artist’s sculptures, dating from the 1960s to the ’90s, that probe the slippages between seeing and knowing. Works culled from Dia’s holdings are complemented by key loans...

What forms does presence take when the world and its technologies exceed what can be explained, known, or felt? How to re-imagine human, non-human and synthetic life on this planet today?

“Childhood is a frightening place. Only when considered from a great distance, whether that be across space or time, can it appear carefree and idyllic. Because growing up is always marked by changes that cannot be controlled...

Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects.

The MIT List Visual Arts Center traces its origins to the Hayden Gallery (founded in 1950), which brought artists and the MIT community together through diverse exhibitions and residency projects.

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

LongHouse welcomes the world-renowned Irish American artist Sean Scully into the garden with his colored stack entitled 48, 2024, a work that epitomizes his deliberate use of stripes and color, with gestures toward land, sea, and sky.

In a softly shimmering blue, then brown, then green, then gray, then pink, then green, then violet, then blue again, the colors of present day New Mexico landscapes are layered horizontally.

Death is one of the few universal experiences of the human condition and, at the same time, one of the most mysterious. Throughout history, religions, spiritual traditions, philosophical schools of thought, and even science have sought to answer the same question...

Aiming to present a thematic narrative on contemporary photography and lens-based art in Türkiye, “Panorama: Dreams and Places” brings together a comprehensive selection of works produced since the 2010s by 18 artists from different generations.

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

Throughout his prolific career, Marc Chagall (1887–1985) returned time and again to the vivid imagery of acrobats, clowns and fantastical performers. Marc Chagall: The Circus will present Chagall’s celebrated lithographs on this subject…

Art Week Tokyo 2026 expands its activation of the city’s diverse array of museums and art spaces. New institutional highlights include Nam June Paik: The 20th Anniversary of His Passing at Watari-um…

Museum Arnhem presents Double Life, the first major solo exhibition in the Netherlands by British artist Sarah Maple (b. 1985). In her work, Maple explores what it means when different sides of her identity intersect...