Kennedy Browne
Artist collaboration
Kennedy Browne (est. 2005) is the collaborative practice of artists Gareth Kennedy and Sarah Browne, based in Ireland. Kennedy Browne seeks to address the supposedly eternal narrative of neoliberal capitalism as a fiction. They work mainly with moving image, working with collaborative processes of scripting, editing, and re-staging in locations they identify as significant within the plot of global capitalism — such as the Titanic Quarter in Belfast, at the Whiddy Island Strategic Oil Reserve in Bantry Bay, and in Silicon Valley, California.
In 2018 Kennedy Browne present The Special Relationship at Krannert Art Museum, a survey exhibition of work since 2009.
Their solo exhibitions include The Myth of the Many in the One, Wilfried Lentz Gallery, Rotterdam (2014); How Capital Moves, Limerick City Gallery of Art (2011) and 167 at the Centre Culturel Irlandais, Paris (2010). Group exhibitions include Liquid Assets at the Steirischer Herbst Festival, Graz, Austria (2013); the Bern Biennial, Switzerland; Zero1 Biennial, San Jose (both 2012) and L’Exposition Lunatique, Kadist Foundation, Paris (2010). Kennedy Browne co-represented Ireland at the 53rd Venice Biennale with Gareth Kennedy and Sarah Browne.
Kennedy Browne
Artist collaboration
Kennedy Browne (est. 2005) is the collaborative practice of artists Gareth Kennedy and Sarah Browne, based in Ireland. Kennedy Browne seeks to address the supposedly eternal narrative of neoliberal capitalism as a fiction. They work mainly with moving image, working with collaborative processes of scripting, editing, and re-staging in locations they identify as significant within the plot of global capitalism — such as the Titanic Quarter in Belfast, at the Whiddy Island Strategic Oil Reserve in Bantry Bay, and in Silicon Valley, California.
In 2018 Kennedy Browne present The Special Relationship at Krannert Art Museum, a survey exhibition of work since 2009.
Their solo exhibitions include The Myth of the Many in the One, Wilfried Lentz Gallery, Rotterdam (2014); How Capital Moves, Limerick City Gallery of Art (2011) and 167 at the Centre Culturel Irlandais, Paris (2010). Group exhibitions include Liquid Assets at the Steirischer Herbst Festival, Graz, Austria (2013); the Bern Biennial, Switzerland; Zero1 Biennial, San Jose (both 2012) and L’Exposition Lunatique, Kadist Foundation, Paris (2010). Kennedy Browne co-represented Ireland at the 53rd Venice Biennale with Gareth Kennedy and Sarah Browne.
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VISITOR / Bill PhelpsSep 27 – Nov 26, 2023The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps. Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice Gallery VISITOR inspires the imagination. About life, about being, eye and heart his greatest companions, in images that breathe in their own atmosphere. (more…)
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Comment Se RaconterSep 8, 2023 – Jan 28, 2024To tell your own story (Comment se raconter) brings together stories from behind the scenes of grand history, from society’s margins. The featured artists come from different horizons; they share stories through videos, sculptures, letters, and images. In our post-truth age, we are witnessing a fragmentation of collective narratives. (more…)
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Ich bin anders, weil ich kann das. Stranger belongs to meOct 26, 2023 – Jan 21, 2024“Can we imagine a country we can all belong to, where citizenship is claimed through acts of love and care, where the ‘foreigner’ resides within each of us, and is that yet unknown, unfamiliar part of us, within us, that we seek to get to know? The search for knowledge requires us to welcome the stranger, and become a stranger to ourselves at the same time, in order to truly know ourselves and each other”. (more…)
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Andreas Fogarasi: Kyiv, Brussels, BudapestSep 12 – Nov 10, 2023Urbanism – the study of the urban built environment, public space organisation, public architecture, public money, public memory, public taste and public life – is certainly a public matter. There is no need to explain it further. However, the precise subject of what counts as a public matter is not so clear. (more…)
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Andreas Gursky: Visual Spaces of TodayPublicationPublished by Fondazione MAST, this catalogue accompanies the first exhibition in Italy dedicated to the German artist Andreas Gursky. Gursky’s large-scale images frame the contemporary landscape and define our experience of the world (more…)
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Good Morning, America / Vol. 1PublicationOver the past six years, photographer Mark Power has travelled across the US to create a complex visual narrative of a country in the midst of change. This new book, Good Morning, America (Volume One), represents a personal and timely exploration of both the American cultural and physical landscape (more…)
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Mai Ling: Not Your OrnamentSep 15 – Nov 12, 2023Founded in Vienna in 2019, Mai Ling is an artists’ collective and association dedicated to facilitating dialogues about experiences of racism, sexism, homophobia, and any kind of prejudgment, particularly against Asian FLINT* (women*, lesbian, inter*, non-binary, and trans*). Rooted in solidarity against patriarchal and racial discrimination, the group offers a protected space and growing network to give voice to the many individuals affected by such discrimination and foster new forms of collaboration. (more…)
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AestheticaMagazine / OrganizationAesthetica is a British art and culture magazine. Founded in 2002, Aesthetica Magazine covers photography, visual art, music, film and theatre. It has a readership of over 311,000 and national and international distribution. (more…)
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Rafał Milach / Archive of Public ProtestsSep 22, 2023 – Jan 1, 2024Rafał Milach (b. 1978) is the initiator and co-founder of the 2019 collective The Archive of Public Protests, or A-P-P for short. The collective was founded as a reaction to the restrictions on the freedom of expression and the rule of law in Poland by the national conservative national conservative party PiS. (more…)
