Magnum Photographers are on the ground in Ukraine documenting the Russian invasion and its impact on life in the country. Here, we are gathering the coverage as it is published alongside stories that report on the international response (more…)
Kenneth Rowntree was born in Scarborough. Between 1932 and 1935, he studied at the Ruskin School of Art in Oxford where Eric Ravilious and Barnett Freedman, both artists who criss-crossed the border between fine art, illustration and design, taught. This would prove to be an important influence on his development.
During the war he moved out of London to Great Bardfield in Essex where there was a community of like-minded artists, including Ravilious and Edward Bawden. At this time he contributed to the War Artists Scheme and to the Recording Britain Scheme. Here his work was admired by John Piper: “He always had an eye for the things in the English countryside that needed noticing,” Piper wrote.
After the war he held his first exhibition at the Leicester Galleries in London. Returning to live there, he became Head of Mural Painting at the Royal College of Art, designing a mural for the prestigious Festival of Britain in 1951. In 1959, he returned north to become Professor of Fine Art at Durham University. It was here that he formed a close relationship with the painter Victor Pasmore, who was exploring abstraction and constructivism, elements of which crept into Rowntree’s work.
During the last 20 years of his life, he was given retrospective exhibitions at the Laing Art Gallery, Newcastle (1976); The Hatton Gallery, Newcastle (1980); Welshpool, Cardiff and London (1992); and the Fry Art Gallery, Saffron Walden (1995). A centenary exhibition was held at the Fry Art Gallery in 2015, travelling to Pallant House in Chichester.
[Kynance Fine Art]
Using subtle methods and an economy of materials, Fred Sandback’s work creates striking perceptual effects in response to the surrounding architecture. (more…)
From the Black Sea, in foggy weather, we navigate along the Bosphorus towards the Golden Horn. From one side of the strait to the other, white marble palaces appear as if emerging from a dream. (more…)
Galerie Gmurzynska New York is pleased to present Rouge et Noir an exhibition of works by Otto Piene (Bad Laasphe 1928 – Berlin 2014), founder of Group Zero, lifelong pioneer of modern art, and key avant-garde figure of the second half of the twentieth century. (more…)
Artpil is seeking to expand the team. From contributors to freelance individuals in Rome, and beyond, whether you are a writer, photographer, designer/art director, we want to hear from you.
Here we are again, this time, rounding out our fifth year with over 3,000 Articles and Profiles in our growing archive and nearly 3 million visits strong. A very exciting journey it has been, indeed. With our fifth year anniversary Prescription, we continue to move forward. (more…)
Artpil is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, Artpil provides stories, event news, exhibition guides and interviews, featuring profiles of artists of all disciplines (more…)
Reclaim the Earth is a wake-up call, as much as a rallying cry. The origins of this collective exhibition can be found in an observation by its scientific advisor, Ariel Salleh: “Bringing ecology, feminism, socialism and Indigenous politics together means giving up the Eurocentric lens for a genuinely global one.” (more…)