Natan Dvir
Koen van den Broek
Artist / Painter

Koen van den Broek studied architecture at the Ku Leuven University of Leuven and painting at the Royal Academy of Fine Arts Antwerp, the Netherlands Breda Academy of Visual Art, and HISK Flanders. His paintings are held in the collections of prestigious art establishments such as S.M.A.KSan Francisco Museum of Modern Art, LACMA and the Samsung Museum of Art in Leeum.

Exhibitions include Galerie Greta Meert, Brussels, Gallery Albertz Benda, New York, White Cube, London, Marlborough Contemporary, London, Friedman Benda Gallery, New York, Philipp von Rosen Galerie, Cologne, Germany, Bernarduscentrum, Antwerp, Belgium, Galerie Hellinga Beetsterzwaag, Amsterdam, Kunstmuseum Bonn, Germany, Museu de Arte Moderna, Rio de Janeiro, Kunsthalle, Leipzig, Germany, Shanghai Museum, Gallery Baton, Seoul, and the Venice Biennale.

[Gallery Baton]

Koen van den Broek
Artist / Painter

Koen van den Broek studied architecture at the Ku Leuven University of Leuven and painting at the Royal Academy of Fine Arts Antwerp, the Netherlands Breda Academy of Visual Art, and HISK Flanders. His paintings are held in the collections of prestigious art establishments such as S.M.A.KSan Francisco Museum of Modern Art, LACMA and the Samsung Museum of Art in Leeum.

Exhibitions include Galerie Greta Meert, Brussels, Gallery Albertz Benda, New York, White Cube, London, Marlborough Contemporary, London, Friedman Benda Gallery, New York, Philipp von Rosen Galerie, Cologne, Germany, Bernarduscentrum, Antwerp, Belgium, Galerie Hellinga Beetsterzwaag, Amsterdam, Kunstmuseum Bonn, Germany, Museu de Arte Moderna, Rio de Janeiro, Kunsthalle, Leipzig, Germany, Shanghai Museum, Gallery Baton, Seoul, and the Venice Biennale.

[Gallery Baton]

  • Jananne Al-Ani / LANDMARKS
    Oct 10 – Nov 11, 2023
    Ab-Anbar Gallery
    London, UK
    Ab-Anbar presents Landmarks, a solo exhibition by London-based Iraqi-born artist Jananne Al-Ani. The exhibition spans more than two decades of photographic and moving image work, focusing on Al-Ani’s longstanding interest in the power of the gaze in response to lens-based technologies, the significance of eye-witness testimony, and the disappearance of the body in highly charged and contested landscapes. (more…)