After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
Kramer O’Neill was born in the US state of Maine, raised in Massachusetts, and spent the rest of his time in Brooklyn, Berlin and, now, Paris. In addition to compulsively taking photos, he shoots, animates and edits images that move. He is also a member of the strange.rs collective, and self-publishes books and zines whenever he gets the opportunity.
He is a member of Fragment Photo Collective.
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
The U.N. has designated November 25th as International Day for the Elimination of Violence Against Women. By truism, this is a proposition that states really nothing beyond what is implied by its terms… (more…)
For his second exhibition at Perrotin Paris, Inner Songes, Jens Fänge presents more than two dozen new paintings as part of greater mise-en-scene that transforms the gallery itself into a human-scale composition. (more…)
For its 12th edition, Artpil announces the 2021 selection of its annual 30 Under 30 Women Photographers, with styles ranging from art photography to documentary, portraiture to street and fashion. (more…)
We have fundamentally altered the earth’s ecosystem by disrupting the natural rhythm of our planet and in doing so have created a new chapter in the evolution of Earth and a new stage of uncertainty.
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
For six decades, World Press Photo has been expanding its mission as an independent nonprofit, drawing on experience to guide visual journalists, storytellers, and audiences around the world.
Ingeborg Strobl’s oeuvre is moored in the tradition of conceptual and intermedia art. Natural and animal subjects acting as mirror images of society take up a central role in her work (more…)
I re-discover parts of my cultural heritage, portraying the different facets of the life of mountain villages in between the Italian and Slovenian borders. What I found was a community of survivors. (more…)