“Look at these places left aside, which have nothing spectacular but which are the basis of our countryside. To have a view of it ‘from here and now’ without patriotism, without nostalgia either (more…)
A few years ago studying at the Art Institute of Boston I became aware of wet plate collodion and how it was being used by contemporary photographers such as Mark Osterman and France Scully Osterman and Sally Mann. I had no idea what it involved or where to begin. All I had heard was “it is difficult and dangerous.” Both sounded right up my ally, but still illusive. Soon after my initial interest, and by great luck, I was introduced to the process by a friend traveling through Denver, Mark Katzman. He made a few portraits of my partner Mark Sink and me. I was thereafter memorized and completely determined to make them myself. It was now real and possible. I went back to school in Boston and spent those two semesters collecting chemicals, knowledge and equipment. After graduation, Mark and I started off the summer with a huge crash course in wet plate collodion, spending all our free time shooting. Gathering chemicals, equipment, beautiful faces, bodies, flowers, and ideas. We became a team; each being the others inspiration, muse, assistant, plate coater, chemical mixer, costume designer, and lunch maker. Our hands, feet, cloths and often face were marked with silver nitrate stains. It has been my great obsession ever since.
“Look at these places left aside, which have nothing spectacular but which are the basis of our countryside. To have a view of it ‘from here and now’ without patriotism, without nostalgia either (more…)
Sacha Turchi currently lives and works in Italy and collaborates with various visual and sound artists. The interactions between individual and nature, body and psyche, constitutes the essential matrix of her research. (more…)
The work of Dineo Seshee Bopape is characterized by the use of organic and highly symbolic materials that allude to the concepts of memory, identity, and belonging. Soil is one of the most recognizable materials in her practice, and it is often mixed with other substances such as coal, ash, and clay (more…)
The 59th International Art Exhibition of La Biennale di Venezia, titled The Milk of Dreams, will open to the public from April 23 to November 27, 2022 at the Giardini and the Arsenale, curated by Cecilia Alemani and organised by La Biennale di Venezia chaired by Roberto Cicutto. (more…)
On the horizon of the district between old, handmade fences and the sky, you can see the newly built glass skyscrapers in the bright light of the coastal center of the city, as if portending future innovations of Bayil. (more…)
In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)
Sean Scully is one of the most important painters of his generation. While known primarily for his large-scale abstract paintings, Scully also works in a variety of diverse media, including printmaking, sculpture, watercolor and pastel.
The Circulation(s) festival is back for its 12th Edition with a program that reveals the vitality, creativity and diversity of emerging photography. For two months, the public will be invited to discover exhibitions presenting the work of 30 young artists (more…)
Here we are again, this time, rounding out our fourth year with some 3,000 Articles and Profiles in our growing archive and over 2 million visits strong. A very exciting journey it has been, indeed. With our fourth year anniversary Prescription, we continue to move forward. (more…)