Kristina Syrchikova
Photographer

Kristina Syrchikova is a documentary photographer and a visual storyteller based Samara, Russia.

Her work primarily focuses on social and human rights issues in post-Soviet space. 

Kristina first studied information technology, before turning to contemporary photography at the FotoDepartament Institute and documentary photography at the DocDocDoc School in St Petersburg. 

Kristina’s work has been recognized with industry awards such as New Talents, Marilyn Stafford FotoReportage Award 2018, The Kolga Photo Award, Efremov Report Photography Competition, ESPY Photography Award, Young photographers of Russia among others.

Her work has been presented in exhibitions and screens in Russia and abroad, including Asian Women Photographers’ Showcase (Objectifs, Singapore, 2017), Orvieto Fotografia 2017 (Palazzo Coelli, Orvieto, Italy, 2017), Third Documentary Photography Days (Photography Foundation of Turkey, Istanbul, Turkey, 2016), Evolution of sight. 1991−2016 (Photobiennale 2016, Central exhibition hall Manege, Moscow, Russia).

Her work has appeared in multiple online and print publications worldwide including Musee Magazine (USA), Der Greif (Germany), COLTA.RU (Russia), Takie Dela (Russia), IM Magazine, Foto&video (Russia), dekoder, Science and Life (Russia), Russian reporter, Splash & Grab, Bird In Flight, Dodho Magazine, FOG (Germany).

She is a member of The Russian Union of Art Photographers.

Kristina Syrchikova
Photographer

Kristina Syrchikova is a documentary photographer and a visual storyteller based Samara, Russia.

Her work primarily focuses on social and human rights issues in post-Soviet space. 

Kristina first studied information technology, before turning to contemporary photography at the FotoDepartament Institute and documentary photography at the DocDocDoc School in St Petersburg. 

Kristina’s work has been recognized with industry awards such as New Talents, Marilyn Stafford FotoReportage Award 2018, The Kolga Photo Award, Efremov Report Photography Competition, ESPY Photography Award, Young photographers of Russia among others.

Her work has been presented in exhibitions and screens in Russia and abroad, including Asian Women Photographers’ Showcase (Objectifs, Singapore, 2017), Orvieto Fotografia 2017 (Palazzo Coelli, Orvieto, Italy, 2017), Third Documentary Photography Days (Photography Foundation of Turkey, Istanbul, Turkey, 2016), Evolution of sight. 1991−2016 (Photobiennale 2016, Central exhibition hall Manege, Moscow, Russia).

Her work has appeared in multiple online and print publications worldwide including Musee Magazine (USA), Der Greif (Germany), COLTA.RU (Russia), Takie Dela (Russia), IM Magazine, Foto&video (Russia), dekoder, Science and Life (Russia), Russian reporter, Splash & Grab, Bird In Flight, Dodho Magazine, FOG (Germany).

She is a member of The Russian Union of Art Photographers.

  • Artadia Awards 2024
    Deadline Nov 1, 2024
    Artadia
    International
    The Artadia Awards provide financial support, exposure and recognition to artists. The awards are unrestricted, allowing artists to use the funds in any way they choose. Each year, an open-call application is made available in each of the seven active partner cities. Supporting artists equitably is a critical part of the Artadia Award process (more…)
  • Shuang Li: I’m Not
    May 1 – Aug 25, 2024
    Swiss Institute
    New York, USA
    Swiss Institute (SI) presents I’m Not, the first institutional solo exhibition by artist Shuang Li, featuring newly commissioned sculpture and video installations. Li’s work explores how language, relationships and identities are formed and mediated through screens and the internet. For I’m Not, Li delves into her own life as a fan to ruminate on how these technologies inform the social bonds and materiality of fandom (more…)
  • Atiéna R. Kilfa: Special Effect
    May 4 – Sep 8, 2024
    Den Frie
    Copenhagen, Denmark
    With Special Effect, Atiéna R. Kilfa presents a new body of works consisting of a short film and two large scale pencil drawings. In continuation of Kilfa’s investigation and restructuring of cinematic archetypes, Special Effect homes in on the nondescript figure of a man sitting at a desk. Shot in black and white, the film eerily evokes a timelessness of the figure by bringing it in resonance with pictorial genres reminiscent of various eras from German Expressionist cinema to the golden age of Hollywood film noir, fast forward to its 4K quality of today. (more…)