Skip Arnold, On Display, 1993/1995, Roger Merians Gallery, New York, 1995, © Skip Arnold, Courtesy of the artist
Kunsthalle Giessen
Exhibition Space

The Kunsthalle Giessen is an exhibition space for contemporary art in the town hall of the city of Gießen in Middle Hesse. As a venue for temporary exhibitions without its own permanent collection, it presents current trends and positions in contemporary art over 400 m2. The Kunsthalle’s role is to convey contemporary art in a variety of ways that inspire the public to engage with it, while at the same time addressing social discourse.

Anna Gaskell, Untitled #34 (hide), 1998 © Anna Gaskell and Light Manufacturing/Esto. Courtesy Galerie Gisela Capitain

Christian Eisenberger and VG Bild-Kunst Bonn, 2020

Katja Stuke, Redhead aus der Serie CCTV, 2006

Maria José Arjona, Right at the Center, there is Silence, 2012 / Courtesy Sammlung von Kelterborn, Frankfurt © Maria José Arjona

Mary-Audrey Ramirez, Herpes is annoying, 2022, digital image, Courtesy of the artist + Martinetz Cologne

Matthew Cowan, The Scream of the Strawbear © Matthew Cowan

Sandra Mann, Written on Bourgeois Body (Jos Diegel & Shirin, Offenbach-Bürgel), 2015

Tobias Hantmann, Der Marktplatz von Freudenstadt, Hall, 2018

Uwe Henneken, Feeler, 2016 © Uwe Henneken, Courtesy Uwe Henneken and Meyer Riegger
Kunsthalle Giessen
Exhibition Space

The Kunsthalle Giessen is an exhibition space for contemporary art in the town hall of the city of Gießen in Middle Hesse. As a venue for temporary exhibitions without its own permanent collection, it presents current trends and positions in contemporary art over 400 m2. The Kunsthalle’s role is to convey contemporary art in a variety of ways that inspire the public to engage with it, while at the same time addressing social discourse.

Anna Gaskell, Untitled #34 (hide), 1998 © Anna Gaskell and Light Manufacturing/Esto. Courtesy Galerie Gisela Capitain

Christian Eisenberger and VG Bild-Kunst Bonn, 2020

Katja Stuke, Redhead aus der Serie CCTV, 2006

Maria José Arjona, Right at the Center, there is Silence, 2012 / Courtesy Sammlung von Kelterborn, Frankfurt © Maria José Arjona

Mary-Audrey Ramirez, Herpes is annoying, 2022, digital image, Courtesy of the artist + Martinetz Cologne

Matthew Cowan, The Scream of the Strawbear © Matthew Cowan

Sandra Mann, Written on Bourgeois Body (Jos Diegel & Shirin, Offenbach-Bürgel), 2015

Tobias Hantmann, Der Marktplatz von Freudenstadt, Hall, 2018

Uwe Henneken, Feeler, 2016 © Uwe Henneken, Courtesy Uwe Henneken and Meyer Riegger
  • Jorma Mueller: Restoration to a Better Past
    Publication
    ENTKUNSTUNG
    International
    Restoration to a Better Past is a photography book by Jorma Mueller. In Jorma Mueller’s photography there is margin for a biographical hypothesis and glimpses of something that has been lost. A vision of the present as ebb and flow is almost inevitable in the experience of his work. Subjectivity is melancholic, and that melancholy contains the evocation that restores the legacy for which others risked their fate. (more…)
  • Anu Põder: Space for My Body
    Jan 3 – Jun 30, 2024
    Muzeum Susch
    Susch, Switzerland
    Anu Põder (1947-2013) is one of Estonia’s most revelatory voices of the last five decades. Her work has stood out since the 1970s as uniquely crafted, originally conceived, and deeply personal. Yet, because it was somehow out of sync with the then established art landscape in Estonia, it has been overlooked for many years. Põder is known for exploring the human body, highlighting the fragility, impermanence, and ephemerality of life (more…)