Skip Arnold, On Display, 1993/1995, Roger Merians Gallery, New York, 1995, © Skip Arnold, Courtesy of the artist
Kunsthalle Giessen
Exhibition Space

The Kunsthalle Giessen is an exhibition space for contemporary art in the town hall of the city of Gießen in Middle Hesse. As a venue for temporary exhibitions without its own permanent collection, it presents current trends and positions in contemporary art over 400 m2. The Kunsthalle’s role is to convey contemporary art in a variety of ways that inspire the public to engage with it, while at the same time addressing social discourse.

Anna Gaskell, Untitled #34 (hide), 1998 © Anna Gaskell and Light Manufacturing/Esto. Courtesy Galerie Gisela Capitain

Christian Eisenberger and VG Bild-Kunst Bonn, 2020

Katja Stuke, Redhead aus der Serie CCTV, 2006

Maria José Arjona, Right at the Center, there is Silence, 2012 / Courtesy Sammlung von Kelterborn, Frankfurt © Maria José Arjona

Mary-Audrey Ramirez, Herpes is annoying, 2022, digital image, Courtesy of the artist + Martinetz Cologne

Matthew Cowan, The Scream of the Strawbear © Matthew Cowan

Sandra Mann, Written on Bourgeois Body (Jos Diegel & Shirin, Offenbach-Bürgel), 2015

Tobias Hantmann, Der Marktplatz von Freudenstadt, Hall, 2018

Uwe Henneken, Feeler, 2016 © Uwe Henneken, Courtesy Uwe Henneken and Meyer Riegger
Kunsthalle Giessen
Exhibition Space

The Kunsthalle Giessen is an exhibition space for contemporary art in the town hall of the city of Gießen in Middle Hesse. As a venue for temporary exhibitions without its own permanent collection, it presents current trends and positions in contemporary art over 400 m2. The Kunsthalle’s role is to convey contemporary art in a variety of ways that inspire the public to engage with it, while at the same time addressing social discourse.

Anna Gaskell, Untitled #34 (hide), 1998 © Anna Gaskell and Light Manufacturing/Esto. Courtesy Galerie Gisela Capitain

Christian Eisenberger and VG Bild-Kunst Bonn, 2020

Katja Stuke, Redhead aus der Serie CCTV, 2006

Maria José Arjona, Right at the Center, there is Silence, 2012 / Courtesy Sammlung von Kelterborn, Frankfurt © Maria José Arjona

Mary-Audrey Ramirez, Herpes is annoying, 2022, digital image, Courtesy of the artist + Martinetz Cologne

Matthew Cowan, The Scream of the Strawbear © Matthew Cowan

Sandra Mann, Written on Bourgeois Body (Jos Diegel & Shirin, Offenbach-Bürgel), 2015

Tobias Hantmann, Der Marktplatz von Freudenstadt, Hall, 2018

Uwe Henneken, Feeler, 2016 © Uwe Henneken, Courtesy Uwe Henneken and Meyer Riegger
  • Adam Pendleton: To Divide By
    Sep 22, 2023 – Jan 15, 2024
    Mildred Lane Kemper Art Museum
    St. Louis, USA
    “What is your name?” “Where are you from?” “How did you end up here?” “Can you feel it?” “Does it hurt?” With these and other questions, the American artist Adam Pendleton’s solo exhibition at the Mildred Lane Kemper Art Museum sets up an elaborate call-and-response network that articulates a sense of history as fragmented poetics. The exhibition will showcase a polyvocal assemblage of new and recent paintings, drawings, and video portraits that together reveal Pendleton’s interest in creating a conversation between mediums, as well as his belief in abstraction’s capacity to destabilize and disrupt. (more…)