Once again we arrive at the end of another year. 2021 was a year replete with contradictions and conflict, tension and turmoil. Two years since the start of the pandemic, a return to normal eludes us.
(more…)
László Moholy-Nagy came of age during the First World War and launched himself as an artist during the post-War period of cultural ferment that enveloped the Western world. After the Great War finally ended, modernist trends in many fields, whose development the War had stifled, could now flower, and Moholy-Nagy became an active participant in several of them, gradually positioning himself on the cutting edge of art, photography, commercial design, stage and film, and design education. His career path, his artistic production, as well as his personal life, were strongly influenced by large-scale cultural trends and historical events. He was very much a product of the turbulent history of the first half of the 20th century, a period of time that continues to be a subject of deep interest today. For example, the year 2009 was being celebrated in parts of Europe and the United States as the Bauhaus Year. The Bauhaus, Germany’s most famous design school, was founded in Weimar by Walter Gropius in 1919. The widespread and long-lasting influence of the Bauhaus on modern design and design education is impressive, especially because it existed for only 14 years. Moholy-Nagy was appointed a master, or teacher, at the Bauhaus in 1923 and became one of the most enthusiastic proponents of its educational aims and methods. The spotlight that shines upon the Bauhaus also shines upon him. So, I am very pleased to have the opportunity to give you some details about the life and career of László Moholy-Nagy, a modern artist of the twentieth century, which – for many of us – was also our century.
[Moholy-Nagy Foundation]
Once again we arrive at the end of another year. 2021 was a year replete with contradictions and conflict, tension and turmoil. Two years since the start of the pandemic, a return to normal eludes us.
(more…)
Deeply into fall now, falling back an hour, “Autumn is a second spring when every leaf is a flower.” –Camus. Recently celebrating our 4th Year Anniversary and setting up base in the eternal city of Rome, Artpil enters into its second spring. (more…)
We have fundamentally altered the earth’s ecosystem by disrupting the natural rhythm of our planet and in doing so have created a new chapter in the evolution of Earth and a new stage of uncertainty.
Spanning more than 3,000 square meters, Useless Bodies? is an exhibition by the artist duo Elmgreen & Dragset and one of the most ambitious thematic investigations realized by Fondazione Prada to date. (more…)
Tubes, chains, and wires seem to resemble organic contraptions as they loop, glide, and snake around and into each other. These appliances are stiff or pliable when tension is applied, moving slowly yet fitfully. The water, oil, and grime flowing all around emphasizes the angular rigidity of the metal (more…)
Here we are again, this time, rounding out our fourth year with some 3,000 Articles and Profiles in our growing archive and over 2 million visits strong. A very exciting journey it has been, indeed. With our fourth year anniversary Prescription, we continue to move forward. (more…)
The exhibition Belgium-Argentina: Transatlantic Modernisms, 1910–1958, focusses on the artistic connections between Belgium and Argentina in the first half of the 20th century when numerous exchanges took place, driven by migration and travel. (more…)
Over the last two decades, Nairy Baghramian has created sculptures, photographic works and drawings that explore the relationships between architecture, everyday objects, and the human body. (more…)
With Anselm Kiefer contemporary art comes to the Palazzo Ducale, with an exhibition as the centerpiece of the fifth edition of MUVE Contemporaneo, the biennale organized by the Fondazione Musei Civici di Venezia (more…)