Lauren Decicca
Photographer

Lauren DeCicca is a documentary photographer from New York who is based in Bangkok, Thailand.

Prior to moving to Thailand, Lauren spent three years (2013 – 2016) based in Yangon, Myanmar documenting the country at the beginning of its transition to democracy.

She’s met people dealing with PTSD, drug addiction, displacement and disease, and is struck by the similarity in spirit between these people, despite the obvious divides. It has been a goal of hers to realize and mend this schism through photography, be it mental, physical or geographical in nature.

Documenting the lives of people around the world will help those who have no access to such situations understand that the subjects of her photographs could easily be their parent, sibling or partner. Despite differences in language, skin color, religion or way of life, everyone has the same basic needs for empathy, understanding and acceptance.

Her work has been published by The New York Times, The Wall Street Journal, TIME Lightbox, Bloomberg BusinessWeek, The Guardian, Foreign Policy, Al Jazeera, amongst others.

Lauren Decicca
Photographer

Lauren DeCicca is a documentary photographer from New York who is based in Bangkok, Thailand.

Prior to moving to Thailand, Lauren spent three years (2013 – 2016) based in Yangon, Myanmar documenting the country at the beginning of its transition to democracy.

She’s met people dealing with PTSD, drug addiction, displacement and disease, and is struck by the similarity in spirit between these people, despite the obvious divides. It has been a goal of hers to realize and mend this schism through photography, be it mental, physical or geographical in nature.

Documenting the lives of people around the world will help those who have no access to such situations understand that the subjects of her photographs could easily be their parent, sibling or partner. Despite differences in language, skin color, religion or way of life, everyone has the same basic needs for empathy, understanding and acceptance.

Her work has been published by The New York Times, The Wall Street Journal, TIME Lightbox, Bloomberg BusinessWeek, The Guardian, Foreign Policy, Al Jazeera, amongst others.

  • Michela de Mattei & Toby Christian: Flash_Looking
    May 17 – Jul 5, 2024
    Belmacz
    London, UK
    The phrase ‘flash-looking’ suggests something slick and shiny, a high-gloss finish, a smooth way of operating. As a synchronising of parts, the phrase also suggests a quick glance, a glimpse, something seen out of the of corner of one’s eye: “What’s that”. Flash_Looking, featuring Toby Christian and Michela de Mattei, works through these connotations and more. Brought in dialogue, Toby and Michela’s artworks speak with and across each other with an anachronistic elegance (more…)
  • Roni Horn: Give Me Paradox or Give Me Death
    Mar 23 – Aug 11, 2024
    Museum Ludwig
    Köln, Germany
    Mu­se­um Lud­wig is pleased to pre­sent Roni Horn: Give Me Para­dox or Give Me Death, a so­lo ex­hi­bi­tion of works by in­flu­en­tial Amer­i­can artist Roni Horn. The ex­hi­bi­tion in­cludes over 100 works, span­n­ing from the be­gin­n­ing of the artist’s de­cades long ca­reer to pre­sent day. Roni Horn’s work spans from pho­tog­ra­phy to draw­ing, artist books, sculp­ture, and in­s­tal­la­tion. Be­hind this open­ness lies the artist’s un­der­s­tand­ing that ev­ery­thing in the world is mutable (more…)
  • Adrianna Ault: Levee
    Publication
    Void
    International
    Adrianna Ault was raised in New Orleans where a 350 mile levee system controls and holds back flood waters. This project began as Ault attempted to better understand the landscape surrounding the city, but evolved over the course of 5-years to encompass her changing family, journeys they took and the processing of grief. The levee became a metaphor for the barriers built in an attempt to ward off inevitable decline, and the onslaught of time and nature. (more…)
  • Rencontres d’Arles 2024
    Beneath The Surface
    Jul 1 – Sep 29, 2024
    Arles, France
    Tremors and turmoil, spirits, traces, parallel readings and rereadings all constitute new perspectives underlying the 2024 edition of the Rencontres d’Arles. Photographers, artists and curators reveal their visions and stories, not least that of our humanity, by turns thwarted, in endless redefinition, resilient, but also visionary. Whether on the margins or established at the center, the narratives lead to divergent, multiple paths, all emanating from the faults in a porous surface: they intertwine, superimpose and overlap. (more…)
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