If Ryuichi Sakamoto had been born in 16th century Italy, we’d know what to call him: a Renaissance Man. But since he was born in Japan in the mid-20th century, we have to string together words like composer, musician, producer, actor, and environmental activist. (more…)

22:22 tells the story of Tom Sietas, who in 2012 set a world record at that time of twenty-two minutes and twenty-two seconds in Static Apnea, the ability to hold one’s breath underwater. (more…)

This comprehensive exhibition brings together rarely seen works from two of Robert Rauschenberg’s most innovative series. For a period of 15 years, Rauschenberg made several trips to Japan where he created ceramic artworks using a newly developed technique (more…)

With Anselm Kiefer contemporary art comes to the Palazzo Ducale, with an exhibition as the centerpiece of the fifth edition of MUVE Contemporaneo, the biennale organized by the Fondazione Musei Civici di Venezia (more…)

Spanning more than 3,000 square meters, Useless Bodies? is an exhibition by the artist duo Elmgreen & Dragset and one of the most ambitious thematic investigations realized by Fondazione Prada to date. (more…)

Dario Maglionico was born in Naples in 1986. After graduating in Biomedical Engineering at the Polytechnic University of Milan, from 2014 he lived and worked in Milan, devoting himself exclusively to painting. (more…)

Here we are again, this time, rounding out our fourth year with some 3,000 Articles and Profiles in our growing archive and over 2 million visits strong. A very exciting journey it has been, indeed. With our fourth year anniversary Prescription, we continue to move forward. (more…)

Once again we arrive at the end of another year. 2021 was a year replete with contradictions and conflict, tension and turmoil. Two years since the start of the pandemic, a return to normal eludes us.
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In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)