
Louise Nevelson (Leah Berliawski) was born in 1899 in Perejaslav-Chmelnytskyj, Russia (now Ukraine) in a Jewish Orthodox family that emigrated to the USA in 1905. In the 1960s, she achieved major recognition, and late in life became one of the most celebrated post-war sculptors. In Downtown New York, where she lived from the 1920s until her death, she was a familiar figure, with her heavy, black lashes, known as the grande dame of sculpture.
Influenced by cubism and the German-French artist Jean Arp, Louise Nevelson (1899–1988) began early in her career to make sculptures and assemblages out of wood objects she found in the street. By painting them matte black, she combined the separate elements into a totality. For Nevelson, black represented all colors in one, and the harmony she sought in her art.
Louise Nevelson (Leah Berliawski) was born in 1899 in Perejaslav-Chmelnytskyj, Russia (now Ukraine) in a Jewish Orthodox family that emigrated to the USA in 1905. In the 1960s, she achieved major recognition, and late in life became one of the most celebrated post-war sculptors. In Downtown New York, where she lived from the 1920s until her death, she was a familiar figure, with her heavy, black lashes, known as the grande dame of sculpture.
Influenced by cubism and the German-French artist Jean Arp, Louise Nevelson (1899–1988) began early in her career to make sculptures and assemblages out of wood objects she found in the street. By painting them matte black, she combined the separate elements into a totality. For Nevelson, black represented all colors in one, and the harmony she sought in her art.

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
Julie Bullard, a work of photographic fiction by Nadia Lee Cohen and Martin Parr. The book is designed as a late-seventies photo album, closely modelled on an example acquired from eBay, complete with faux leather spongy board covers…
Inspired by 16 years of shooting some of the biggest names in the music world, witnessing the rise and fall of pop icons, and watching descents into madness, Collins created two fictional music groups exclusively for this publication.
An international cultural initiative connecting contemporary art, cultural heritage, education and sustainability between The Bahamas, Paris and the wider world. Foundation Eleutheria launches…