Malmö Konsthall
Malmö, Sweden

Since its opening in 1975, Malmö Konsthall has presented contemporary art that challenges and inspires. We present three to four exhibitions every year with international and local artists who reflect the world we live in today. The 2,000 square metre exhibition space is a blank canvas that transforms with every new exhibition. In this way it is able to become a unique extension of the art that is displayed.

We believe that art is always part of a bigger conversation. This is something that we aim to work with across all platforms, not only through exhibitions but also in our pioneering educational and events programme where we are able to situate what we do within a larger cultural context. Our work often extends to spaces outside of our premises in Malmö and is driven by genuine, long-term collaboration with communities and organisations.

We prioritise working directly with Malmö and its residents in a variety of ways and aim to balance our work in the city with our regional and international outreach. Malmö Konsthall is part of the Cultural Administration of the City of Malmö.

Rugilė Barzdžiukaitė, Vaiva Grainytė, and Lina Lapelytė, Sun & Sea
  • Ingela Ihrman |
  • Roman Signer |
  • Ceija Stojka |
  • Daishi Matsunaga |
  • Kim Demåne |
  • Kristine Kemp |
  • Hassan Sharif |
  • Marianne Andersson Embäck |
  • Åke Hodell |
  • Sun Ra
Rugilė Barzdžiukaitė, Vaiva Grainytė, and Lina Lapelytė, Sun & Sea
Malmö Konsthall
Malmö, Sweden

Since its opening in 1975, Malmö Konsthall has presented contemporary art that challenges and inspires. We present three to four exhibitions every year with international and local artists who reflect the world we live in today. The 2,000 square metre exhibition space is a blank canvas that transforms with every new exhibition. In this way it is able to become a unique extension of the art that is displayed.

We believe that art is always part of a bigger conversation. This is something that we aim to work with across all platforms, not only through exhibitions but also in our pioneering educational and events programme where we are able to situate what we do within a larger cultural context. Our work often extends to spaces outside of our premises in Malmö and is driven by genuine, long-term collaboration with communities and organisations.

We prioritise working directly with Malmö and its residents in a variety of ways and aim to balance our work in the city with our regional and international outreach. Malmö Konsthall is part of the Cultural Administration of the City of Malmö.

  • Ingela Ihrman |
  • Roman Signer |
  • Ceija Stojka |
  • Daishi Matsunaga |
  • Kim Demåne |
  • Kristine Kemp |
  • Hassan Sharif |
  • Marianne Andersson Embäck |
  • Åke Hodell |
  • Sun Ra
  • Augusto Daolio: Uno Sguardo Libero
    Apr 12 – May 12, 2024
    Spazio Musa
    Turin, Italy
    Augusto Daolio: Uno Sguardo Libero is the new exhibition to be held at Spazio Musa from April 12 to May 12, 2024. Historical leader of Nomadi, Augusto Daolio was for several decades one of the most beloved singers of Italian music. The intent of this exhibition is above all to show how his figure as an artist, his poetics and his creativity were, even several decades ago, capable of interpreting the feelings of the younger generations, as well as anticipating. (more…)
  • Grey Crawford. Chroma, 1978–85, Vol 1
    Publication
    Beam Editions
    International
    In 1978 Grey Crawford created a body of colour photographic work that was so radical in its aesthetic and technique that few people to this day understand how it was made. Chroma documents late 70s Los Angeles in a period of radical urban transformation. Scenes of vernacular architecture, demolition sites and everyday places are contrasted with graphic forms that float on the surface and sit within the image. (more…)
  • Adrianna Ault: Levee
    Publication
    Void
    International
    Adrianna Ault was raised in New Orleans where a 350 mile levee system controls and holds back flood waters. This project began as Ault attempted to better understand the landscape surrounding the city, but evolved over the course of 5-years to encompass her changing family, journeys they took and the processing of grief. The levee became a metaphor for the barriers built in an attempt to ward off inevitable decline, and the onslaught of time and nature. (more…)