After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.

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Today is International Women’s Day. Founded over a hundred years ago evolving through names and various dates but still largely overlooked in many countries, this fulcrum of women’s rights was adopted by the United Nations in 1975. (more…)

Darkest Hour, this pearl of stylish and emotive documentary was directed by Thomas Ralph, just after the initial Brexit referendum over three years ago (more…)

Tyler Mitchell captures young black people in gardens, parks or in idyllic studio backdrops where they appear as free, expressive, effortless, sensitive and proud, bringing their humanity to the forefront.

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“Turning and turning in the widening gyre the falcon cannot hear the falconer; Thing fall apart; The center cannot hold… and everywhere the ceremony of innocence is drowned.” –William Butler Yeats

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Magnum photographer Alec Soth has become known as the chronicler of life at the American margins of the United States. Foam presents his most recent series, I Know How Furiously Your Heart Is Beating (more…)

For six decades, World Press Photo has been expanding its mission as an independent nonprofit, drawing on experience to guide visual journalists, storytellers, and audiences around the world.

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Joseph Beuys was born in 1921, in Krefeld, Germany. During his school years in Kleve, Beuys was exposed to the work of Achilles Moortgat, whose studio he often visited, and was inspired by the sculptures of Wilhelm Lehmbruck. (more…)

“History of art is a history of great things neglected and ignored and mediocre things being admired. At different times things are different. The history of photography is a history of changes.” –Saul Leiter (more…)