This past Friday marked the 100th day of Russia’s invasion of Ukraine. Not counting the continuing conflict which began in 2014, this latest invasion starting earlier this year sees not a clear end. (more…)
Documentary photographer and visual storyteller. Was born in the Sverdlovsk region of Russia, now is based in Yekaterinburg. She is a graduate of School of Modern Photography Docdocdoc, Saint Petersburg. She explores the larger world through close personal narratives that are centered around the lives of people in small communities. Marina focuses on the study of identity, isolation and collective memory.
Molokans are Russian Christians who do not recognize any intermediary communication with God. Molokan history began in 18th Century with the rejection of icons, churches, hierarchies, within the Church and the numerous sacraments. The Russian Orthodox Church considers the religious movement to be sectarian. Once, Molokans lived throughout the country, but pressure from the government and the desire to establish a Molokan community forced them to migrate. Today, Molokan communities are scattered across Eastern and Western Russia, the Caucasus, former Soviet republics, Turkey, the USA, Mexico, Australia, and China. The customs and lifestyles of Molokans vary greatly from region to region. In Azerbaijan, Molokans live peacefully side by side with Muslims. This series was photographed in the Azeri villages of Chukhryurd, Khimilli, Ivanovka and Alty-Agach. Each village has its own unique identity, as each was founded by different communities from Russia. There is, however, something that unites them: a duality expressed, on the one hand, in the desire to preserve their unique cultural traditions and, on the other hand, the rapprochement towards the bearers of other traditions.
This is a story of how the older generation attempts to preserve the memory of their cultural origins and about the interpretation of their culture: Russians, Ukrainians and Azeris live side by side, having forgotten the differences that once set them apart. Meanwhile, the youth heads towards bigger towns and cities, so as to be educated and escape the pressure of their conservative families.
This past Friday marked the 100th day of Russia’s invasion of Ukraine. Not counting the continuing conflict which began in 2014, this latest invasion starting earlier this year sees not a clear end. (more…)
Jasper Johns was an artist that came onto the scene in the 1950s. Much of the work that he created led the American public away from the expressionism form, and towards an art movement or form known as the concrete. (more…)
How is technological innovation dependent on raw materials? This question is center-stage in the exhibition Charging Myths by On-Trade-Off. This artists-collective traces the origins of lithium by starting from Manono, Democratic Republic of the Congo. (more…)
William Eggleston is one of the most influential photographers of the latter half of the 20th century, credited with pioneering fine art color photography in his iconic depictions of the American South. (more…)
Chantal Joffe brings a combination of insight and integrity, as well as psychological and emotional force, to the genre of figurative art. Hers is a deceptively casual brushstroke. (more…)
Dario Maglionico was born in Naples in 1986. After graduating in Biomedical Engineering at the Polytechnic University of Milan, from 2014 he lived and worked in Milan, devoting himself exclusively to painting. (more…)
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
The exhibition Chosen Family – Less Alone Together draws on international positions and works from the collection of Fotomuseum Winterthur to shed light on photography’s treatment of the (elective) family and its representation of it as a social and cultural construct. (more…)