“There is not a minute in my day when I am free of the sensation of walking a footbridge half a meter wide between two yawning chasms of nothingness. And it is this word, “nothing,” that I find every moment on the tip of my tongue…
Sometimes I vent by filling an entire page of the present diary with these sacred syllables, “No-thing.” Then, all of a sudden, confidence restored and self imbued with physical wellbeing, as after a shower or a successful defecation, I turn over a new leaf and start writing things again. How could I do otherwise? If in a game one can only cheat or lose, one cheats.
Ever since I have discovered that my dreams are nearly always self-slanders or spiteful gossip at my expense, I don’t pay them much attention, I simply brush them aside. And yet this latest one, with its masked and menacing folly of unreason, leaves a lump in my throat.”
–Gesualdo Bufalino
Tommaso and the Blind Photographer
“There is not a minute in my day when I am free of the sensation of walking a footbridge half a meter wide between two yawning chasms of nothingness. And it is this word, “nothing,” that I find every moment on the tip of my tongue…
Sometimes I vent by filling an entire page of the present diary with these sacred syllables, “No-thing.” Then, all of a sudden, confidence restored and self imbued with physical wellbeing, as after a shower or a successful defecation, I turn over a new leaf and start writing things again. How could I do otherwise? If in a game one can only cheat or lose, one cheats.
Ever since I have discovered that my dreams are nearly always self-slanders or spiteful gossip at my expense, I don’t pay them much attention, I simply brush them aside. And yet this latest one, with its masked and menacing folly of unreason, leaves a lump in my throat.”
–Gesualdo Bufalino
Tommaso and the Blind Photographer
The Other side of the Mountain brings together contemporary artists working across the African continent and within the Afro-Nordic diaspora. They explore how cities and modern landscapes shape our connections to one another…
For its second exhibition since the opening of its Roman space, La Società delle Api presents I fiori del male, a project dedicated to the work of Chiara Camoni and curated by Alice Motard…