Martin Parr is a chronicler of our age. In the face of the constantly growing flood of images released by the media, his photographs offer us the opportunity to see the world from his unique perspective.
Leisure, consumption and communication are the concepts that this British photographer has been researching for several decades now on his worldwide travels. In the process, he examines national characteristics and international phenomena to find out how valid they are as symbols that will help future generations to understand our cultural peculiarities. Parr enables us to see things that have seemed familiar to us in a completely new way. In this way he creates his own image of society, which allows us to combine an analysis of the visible signs of globalization with unusual visual experiences. In his photos, Parr juxtaposes specific images with universal ones without resolving the contradictions. Individual characteristics are accepted and eccentricities are treasured.
Martin Parr sensitizes our subconscious – and once we’ve seen his photographs, we keep on discovering these images over and over again in our daily lives and recognizing ourselves within them. The humor in these photographs makes us laugh at ourselves, with a sense of recognition and release.
–Thomas Weski
With over 100 books of his own published, and another 30 edited by Parr, his photographic legacy is already established. Parr also acts as a curator and editor. He has curated two photography festivals, Rencontres d’Arles in 2004 and Brighton Biennial in 2010. More recently Parr curated the Barbican Centre exhibition, Strange and Familiar. Parr has been a member of the Magnum agency since 1994 and was President from 2013 – 2017. In 2013 Parr was appointed the visiting professor of photography at the University of Ulster. Parr’s work has been collected by many of the major museums, from the Tate, the Centre Pompidou and the Museum of Modern Art in New York.
Martin Parr is a chronicler of our age. In the face of the constantly growing flood of images released by the media, his photographs offer us the opportunity to see the world from his unique perspective.
Leisure, consumption and communication are the concepts that this British photographer has been researching for several decades now on his worldwide travels. In the process, he examines national characteristics and international phenomena to find out how valid they are as symbols that will help future generations to understand our cultural peculiarities. Parr enables us to see things that have seemed familiar to us in a completely new way. In this way he creates his own image of society, which allows us to combine an analysis of the visible signs of globalization with unusual visual experiences. In his photos, Parr juxtaposes specific images with universal ones without resolving the contradictions. Individual characteristics are accepted and eccentricities are treasured.
Martin Parr sensitizes our subconscious – and once we’ve seen his photographs, we keep on discovering these images over and over again in our daily lives and recognizing ourselves within them. The humor in these photographs makes us laugh at ourselves, with a sense of recognition and release.
–Thomas Weski
With over 100 books of his own published, and another 30 edited by Parr, his photographic legacy is already established. Parr also acts as a curator and editor. He has curated two photography festivals, Rencontres d’Arles in 2004 and Brighton Biennial in 2010. More recently Parr curated the Barbican Centre exhibition, Strange and Familiar. Parr has been a member of the Magnum agency since 1994 and was President from 2013 – 2017. In 2013 Parr was appointed the visiting professor of photography at the University of Ulster. Parr’s work has been collected by many of the major museums, from the Tate, the Centre Pompidou and the Museum of Modern Art in New York.
