After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
Matt Saunders was born in 1975 in Tacoma, Washington. In 1997 he received a BA in Visual and Environmental Studies from Harvard College in Cambridge, Massachusetts. He completed his MFA in Painting and Printmaking in 2000 at the Yale University School of Art in New Haven, Connecticut, and moved to Berlin in 2002.
Saunders makes drawings, painting, photographs, and animated short films and videos. He often works with oil, metallic ink, and cut paper on both sides of Mylar sheets or unprimed canvas. Through an early introduction to the performative films of Jack Smith and Andy Warhol, Saunders developed an interest in how personality is expressed in moving and still images. His source imagery has included Polaroids taken of movies playing on his television screen, found portraits, and publicity stills. The subjects of his work are often obscure film muses who were iconic at one time and who hold personal significance for the artist based on their fleeting, sometimes tragic celebrity. He focuses on such figures as the Warhol film star, American Joe Dallesandro; German actor Udo Kier; Danish silent film star Asta Nielsen; and German actress Hertha Thiele, among many others, all of who repeatedly appeared and disappeared throughout 20th-century avant-garde cinema.
In 2006 Saunders completed his first 16 mm film, Double Matti. Inspired by Finnish actor Matti Pellonpää’s death and made from more than one thousand ink drawings on Mylar systematically executed as a sequence of film stills, the animation is projected onto two screens. In this same year, Saunders began exhibiting large black-and-white photographs printed from hand-drawn or painted negatives.
Saunders received a Louis Comfort Tiffany Foundation grant in 2009. In addition to his art practice, he has published in Artforum and Texte zur Kunst, and from 2007 to 2008 he collaborated on programming for the Institut im Glaspavillon, Berlin. In 2010 he was a Visiting Lecturer in the Department of Visual and Environmental Studies at Harvard. In addition to numerous solo presentations at galleries in Europe beginning in 1999, and in New York beginning in 2003, Saunders has also exhibited at the Sakip Sabanci Müzesi, Istanbul (2007); San Francisco Museum of Modern Art (2008); Deutsche Guggenheim, Berlin (2008); University of Michigan Museum of Art, Ann Arbor (2009); and the Sharjah Biennial, United Arab Emirates (2011). His first solo museum show was at the Renaissance Society at the University of Chicago (2010).
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
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