Photo Lea Kloos
Matthias Bruggmann
Photojournalist

Matthias Bruggmann is a Swiss photographer, born in Aix-en-Provence in 1978. He lives and works on his laptop. He is an alumni of the Vevey School of Photography. His work, which respects the arbitrary norms of photojournalism, tends towards the deconstruction of the norms of representation in the photography of the real, through the representation of complicated situations and places.

He has, amongst others, worked on and in Egypt, Haiti, Iraq, Somalia, Syria and Libya. He was part of the curatorial team for We Are All Photographers Now! for the Musée de l’Elysée, and was one of the cofounders of the contemporary art space Standard/Deluxe in Lausanne.

His work is part of a number of private collections, as well as the public collections of the Frac Midi-Pyrénées and the Musée de l’Elysée.

[Musée de l’Elysée]

Matthias Bruggmann
Photojournalist

Matthias Bruggmann is a Swiss photographer, born in Aix-en-Provence in 1978. He lives and works on his laptop. He is an alumni of the Vevey School of Photography. His work, which respects the arbitrary norms of photojournalism, tends towards the deconstruction of the norms of representation in the photography of the real, through the representation of complicated situations and places.

He has, amongst others, worked on and in Egypt, Haiti, Iraq, Somalia, Syria and Libya. He was part of the curatorial team for We Are All Photographers Now! for the Musée de l’Elysée, and was one of the cofounders of the contemporary art space Standard/Deluxe in Lausanne.

His work is part of a number of private collections, as well as the public collections of the Frac Midi-Pyrénées and the Musée de l’Elysée.

[Musée de l’Elysée]

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    Publication
    Area Books
    International
    Nhu Xuan Hua delved into the power of memories in a piece of work titled Tropism, Consequences of a Displaced Memory. The work gives a face to those tropisms that describe spontaneous and automatic reactions initiated by vivid emotions in response to primarily needs or past events in life. Based on archival pictures from her family, the digital intervention interprets these memories through a new angle, exploring the effect of dissipation generated by time passing and driven by the forces of an inherited memory. (more…)
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    Publication
    TBW Books
    International
    Using the title of her 2004 photograph, My Mother, My Son, as an inspirational and creative starting point, Mary Frey pulls from her vast archive of photographs to create a pictorial story collapsing linear time. Frey intimately and masterfully captures subjects at ease in environments that feel, at once, wholly familiar yet unmoored from their own reality. (more…)
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