Photo Lea Kloos
Matthias Bruggmann
Photojournalist

Matthias Bruggmann is a Swiss photographer, born in Aix-en-Provence in 1978. He lives and works on his laptop. He is an alumni of the Vevey School of Photography. His work, which respects the arbitrary norms of photojournalism, tends towards the deconstruction of the norms of representation in the photography of the real, through the representation of complicated situations and places.

He has, amongst others, worked on and in Egypt, Haiti, Iraq, Somalia, Syria and Libya. He was part of the curatorial team for We Are All Photographers Now! for the Musée de l’Elysée, and was one of the cofounders of the contemporary art space Standard/Deluxe in Lausanne.

His work is part of a number of private collections, as well as the public collections of the Frac Midi-Pyrénées and the Musée de l’Elysée.

[Musée de l’Elysée]

Matthias Bruggmann
Photojournalist

Matthias Bruggmann is a Swiss photographer, born in Aix-en-Provence in 1978. He lives and works on his laptop. He is an alumni of the Vevey School of Photography. His work, which respects the arbitrary norms of photojournalism, tends towards the deconstruction of the norms of representation in the photography of the real, through the representation of complicated situations and places.

He has, amongst others, worked on and in Egypt, Haiti, Iraq, Somalia, Syria and Libya. He was part of the curatorial team for We Are All Photographers Now! for the Musée de l’Elysée, and was one of the cofounders of the contemporary art space Standard/Deluxe in Lausanne.

His work is part of a number of private collections, as well as the public collections of the Frac Midi-Pyrénées and the Musée de l’Elysée.

[Musée de l’Elysée]

  • Meaning
    Aug 26 – Dec 3, 2023
    Inside-Out Art Museum
    Beijing, China
    Beijing Inside-Out Art Museum is delighted to open a new exhibition Meaning. Meaning has been inspired by our recent experience. In the past three years, travel almost came to a complete stop. The network of art that emerged in the happy era of globalization has been put to test by physical and ideological barriers, yet it still maintains good faith and conveys news from other parts of art world to us. (more…)