Martyrs is a double premiere: Salvatore Siciliano’s first solo exhibition and JERGON’s first curated painting exhibition. Siciliano’s works exude his background as a choreographer and connoisseur of the pulsations of bodies, their tensions, their power, and their potential. These bodies are always excessive, always beyond themselves, coming together in a subversive encounter between the figurative and the abstract, between drawing and painting, between joy and sacrifice. (more…)

The group exhibition Inside Other Spaces. Environments by Women Artists 1956—1976 highlights women’s fundamental contributions to history of environments and presents the work of eleven female artists spanning three generations from Asia, Europe as well as North- and South America (more…)

Luigi Ghirri was born in 1943 in Scandiano, in the province of Reggio Emilia, Italy. He shares an interest for vernacular cultures with Walker Evans, by whom he affirms having been strongly influenced since 1977. In 1979, he shows extracts from the series “Breakfast the grass” and “Italian memories” at the Venice Biennale. (more…)

Marc Lagrange (1957-2015) was born in Kinshasa, Congo. His career path led him from engineering to photography, and his creativity from fashion to art. (more…)

The German artist Franz Erhard Walther is one of the key figures of a concept of art based on participation. Born in Fulda in 1939, his work in the postwar years began with Informel painting: “Piece by piece I understood that the term ‘Informel’ only made sense if one related that to the absence of the concept of composition. (more…)

Every summer since 1970, over the course of more than forty exhibitions at various of the city’s exceptional heritage sites, the Rencontres d’Arles has been a major influence in disseminating the best of world photography (more…)

Zavod P.A.R.A.S.I.T.E. is pleased to announce the opening of the exhibition Sorry, the Hardest Word? curated by Suzana Milevska that will take place in the frame of the celebration of its 30th anniversary at the P.A.R.A.S.I.T.E. Museum of Contemporary Art. Sorry, the Hardest Word? presents artistic endeavours predicated on the urgent need to ponder the complex phenomenon of apology, and what should come after apologising. (more…)

On February 25, 2022, The Calvert Journal ceased publication until further notice. At a time when Russian acts of war are being committed in Ukraine, we cannot in good conscience continue our work covering culture and the arts like business as usual. (more…)

Here we are again, this time, rounding out our sixth year with 4,000 pages of Articles, Profiles, and Announcements in our growing archive and over 3.5 million visits strong. A very exciting journey it has been, indeed. With our sixth year anniversary Prescription, we continue to move forward. (more…)