While focusing on moments of mistake and misrecognition, Naeem Mohaiemen’s research into aspirations towards utopia during the Cold War era, manifested through decolonization, revolution, and independence.
Meiro Koizumi (1976, Gunma, Japan) investigates the boundaries between the private and the public, a domain of specific importance to his native Japanese culture. His videos are often based on performances and constructed scenarios. He places characters, played by himself or others, in awkward situations. Often starting harmoniously he gradually heightens the tension manipulating the situation from humorous to painful. His performances focus and enlarge the moment when a situation gets out of control, becomes embarrassing or breaks social rules. His works also include drawings and collages.
Meiro Koizumi attended the International Christian University, Tokyo; Chelsea College of Art and Design, London as well as the Rijksakademie van Beeldende Kunsten, Amsterdam. Recent solo exhibitions include Annet Gelink Gallery (2017), De Hallen, Haarlem (2016), Arts Maebashi, Maebashi (2015), Kadist Art Foundation, Paris (2014), Museum of Modern Art, New York (2013), Centro de Arte de Caja de Burgos (CAB), Burgos (2012), Art Space, Sydney (2011) and the Mori Art Museum, Tokyo (2009). He participated in numerous group shows such as the Experimenta’s 5th International Biennial of Media Art, Melbourne (2014), 8th Shenzhen Sculpture Biennale, Shenzen (2014), Tokyo Opera City Art Gallery, Tokyo (2014), MSGSU Tophane-i Amire Culture and Arts Center, Istanbul (2013), Pinchuk Art Centre, Kiev (2012), Hara Museum of Contemporary Art, Tokyo (2011), Museum of Contemporary Art, Tokyo (2011), Liverpool Biennial, Liverpool (2010), Media City, Seoul (2010), Shanghai MOCA, Shanghai (2008) and many other.