The List Visual Arts Center is a creative laboratory that provides artists with a space to freely experiment and push existing boundaries; is highly respected as one of the most significant university art galleries in the country for its innovative, provocative, and scholarly exhibitions and publications.
As the contemporary art museum at MIT in Cambridge, Massachusetts, the List Center presents a dynamic program of six to nine special exhibitions in its galleries annually, including a program of evolving site-specific work by emerging artists known as List Projects, as well as a broad range of educational programs, events, and scholarly publications.
Beyond the full slate of special exhibitions and projects it presents each year, the List Center maintains and adds to MIT’s permanent collection; commissions new works through the MIT Percent-for-Art program, a collection of more than 50 site-specific artworks throughout the campus; and oversees the Student Loan Art Program, which lends approximately 600 works of art annually to MIT undergraduate and graduate students.
Originally named the Hayden Gallery, MIT established this center for the visual arts in 1950 to provide a dedicated structure upon which to build the institute’s existing relationship to the arts. It was renamed the List Visual Arts Center in 1985 in recognition of a gift from Vera and Albert List, and relocated to its current, expanded location in the Wiesner Building, which was designed by MIT Alumnus I. M. Pei (B.S. Architecture, 1940) and Partners Architects.






The List Visual Arts Center is a creative laboratory that provides artists with a space to freely experiment and push existing boundaries; is highly respected as one of the most significant university art galleries in the country for its innovative, provocative, and scholarly exhibitions and publications.
As the contemporary art museum at MIT in Cambridge, Massachusetts, the List Center presents a dynamic program of six to nine special exhibitions in its galleries annually, including a program of evolving site-specific work by emerging artists known as List Projects, as well as a broad range of educational programs, events, and scholarly publications.
Beyond the full slate of special exhibitions and projects it presents each year, the List Center maintains and adds to MIT’s permanent collection; commissions new works through the MIT Percent-for-Art program, a collection of more than 50 site-specific artworks throughout the campus; and oversees the Student Loan Art Program, which lends approximately 600 works of art annually to MIT undergraduate and graduate students.
Originally named the Hayden Gallery, MIT established this center for the visual arts in 1950 to provide a dedicated structure upon which to build the institute’s existing relationship to the arts. It was renamed the List Visual Arts Center in 1985 in recognition of a gift from Vera and Albert List, and relocated to its current, expanded location in the Wiesner Building, which was designed by MIT Alumnus I. M. Pei (B.S. Architecture, 1940) and Partners Architects.






Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.