Nan Goldin is an American photographer known for her deeply personal and candid portraiture. Goldin’s images act as a visual autobiography documenting herself and those closest to her.

Reflecting on loss, resilience and the power of rebuilding, “Forever Marked By The Day: A Quarter Century of Mourning and Renewal” marks 25 years since the attacks on Sept. 11, 2001. Approached through an architectural lens, the exhibition fosters intergenerational dialogue...

Artpil is seeking to expand the team. From contributors to freelance individuals. Whether you are a writer, photographer, designer, art director, we want to hear from you.

LongHouse welcomes the world-renowned Irish American artist Sean Scully into the garden with his colored stack entitled 48, 2024, a work that epitomizes his deliberate use of stripes and color, with gestures toward land, sea, and sky.

Todd Hido is a San Francisco Bay Area-based artist whose work has been featured in Artforum, The New York Times Magazine, Eyemazing, Wired, Elephant, FOAM, and Vanity Fair.

Everything has edges. Has contours. An object or an image always begins somewhere and ends somewhere else, rubbing into whatever is nearby on either side. These edges indicate the area where something meets its own exterior...

The inaugural edition of the Shenzhen Art and Technology Biennale (SATB) opens to the public from May 30, 2026, to April 30, 2027 at Shenzhen International Museum of Art (SIMoA). With its theme A Glimpse of the Infinite, this edition is directed by Zikang Zhang.

Here we are again, this time, rounding out our ninth year with 7,000 pages of Articles, Profiles, and Announcements in our growing archive and over 10 million visits strong. A very exciting journey it has been...

Entitled After It’s All Said, 39th Panorama of Brazilian Art, under the curatorship of Diane Lima, questions where artistic production has overflowed in the search to expand the limits of aesthetic representation through a radical exercise of imagination.

The Middelheim Museum is proud to present the first outdoor solo exhibition by international artist Monster Chetwynd. The exhibition takes its starting point from a new commission for the museum’s collection and unfolds into a landmark presentation of Chetwynd’s multifaceted practice.

A promise binds the one who makes it to the unknown. By linking the present to an uncertain future, it becomes a form of foundation. To promise is to take responsibility for what does not yet exist.

Arnold J. Kemp: Not One Thing is the first institutional survey of work by the Chicago-based artist Arnold J. Kemp (b. 1968, Boston). The exhibition focuses on Kemp’s performative and material tendencies of masking, traced through various media.

Dia Center was founded in New York City in 1974 by Philippa de Menil, Heiner Friedrich, and Helen Winkler to help artists achieve visionary projects that might not otherwise be realized because of scale or scope.

“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.

With sound, performance and bold expression, the exhibition Make Some Noise: Desire. Stage. Change. encourages movement and change.

Housekeeping in a Dangerous Time looks into artistic practices that engage with the contemporary forces shaping intergenerational ties and the distinctions between life stages.

untame flow stay release presents artistic practices undertaken in response to unjust, environmentally toxic and ableist structures – systems that continue to suppress individuals and communities by individualizing violence...

The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.