Monica Bonvicini emerged as visual artist and started exhibiting internationally in the mid-1990s. Her multifaceted practice – which investigates the relationship between architecture, power, gender, space, surveillance and control – is translated into works that question the meaning of making art, the ambiguity of language, and the limits and possibilities attached to the ideal of freedom. Dry-humored, direct, and imbued with historical, political and social references, Bonvicini’s art never refrains from establishing a critical connection with the sites where it is exhibited, the materials that comprise it, and the roles of spectator and creator. This approach has formally evolved over the years without betraying its analytical force and inclination to challenge the viewer’s perspective while taking hefty sideswipes at socio-cultural conventions.
Bonvicini has earned several awards, including the Golden Lion at the Venice Biennale (1999); the Preis der Nationalgalerie für junge Kunst, from the Staatliche Museen zu Berlin (2005); and the Rolandpreis für Kunst for art in the public from the Foundation Bremen, Germany (2013). Her work has been featured in many prominent biennials, including Berlin (1998, 2004, 2014), La TriennaIe Paris (2012), Istanbul (2003, 2017), Gwangju (2006), New Orleans (2008), and Venice (1999, 2001, 2005, 2011, 2015). She has had solo exhibitions at the Palais de Tokyo in Paris (2002), Modern Art Oxford, England (2003), Secession, Vienna (2003), Staedtisches Museum Abteiberg (2005, 2012), Sculpture Center (2007), the Art Institute of Chicago (2009), the Kunstmuseum Basel (2009), Frac des Pays de la Loire (2009), and Berlinische Galerie (2017).
In 2012 Bonvicini has been appointed Commander of the Order of Merit of the Italian Republic. Her latest monographs have been published by Phaidon, London in 2014 and Kerber Verlag, Bielefeld in 2017. Sculptures created by Bonvicini are now permanently installed in Queen Elizabeth Olympic Park, London; the harbor at the Oslo Opera House, Norway; and the Istanbul Museum of Modern Art. She is currently represented by Galerie Peter Kilchmann, Zurich; König Galerie, Berlin; Galleria Raffaella Cortese, Milan; and Mitchell-Innes & Nash, New York. She lives and works in Berlin.
Monica Bonvicini emerged as visual artist and started exhibiting internationally in the mid-1990s. Her multifaceted practice – which investigates the relationship between architecture, power, gender, space, surveillance and control – is translated into works that question the meaning of making art, the ambiguity of language, and the limits and possibilities attached to the ideal of freedom. Dry-humored, direct, and imbued with historical, political and social references, Bonvicini’s art never refrains from establishing a critical connection with the sites where it is exhibited, the materials that comprise it, and the roles of spectator and creator. This approach has formally evolved over the years without betraying its analytical force and inclination to challenge the viewer’s perspective while taking hefty sideswipes at socio-cultural conventions.
Bonvicini has earned several awards, including the Golden Lion at the Venice Biennale (1999); the Preis der Nationalgalerie für junge Kunst, from the Staatliche Museen zu Berlin (2005); and the Rolandpreis für Kunst for art in the public from the Foundation Bremen, Germany (2013). Her work has been featured in many prominent biennials, including Berlin (1998, 2004, 2014), La TriennaIe Paris (2012), Istanbul (2003, 2017), Gwangju (2006), New Orleans (2008), and Venice (1999, 2001, 2005, 2011, 2015). She has had solo exhibitions at the Palais de Tokyo in Paris (2002), Modern Art Oxford, England (2003), Secession, Vienna (2003), Staedtisches Museum Abteiberg (2005, 2012), Sculpture Center (2007), the Art Institute of Chicago (2009), the Kunstmuseum Basel (2009), Frac des Pays de la Loire (2009), and Berlinische Galerie (2017).
In 2012 Bonvicini has been appointed Commander of the Order of Merit of the Italian Republic. Her latest monographs have been published by Phaidon, London in 2014 and Kerber Verlag, Bielefeld in 2017. Sculptures created by Bonvicini are now permanently installed in Queen Elizabeth Olympic Park, London; the harbor at the Oslo Opera House, Norway; and the Istanbul Museum of Modern Art. She is currently represented by Galerie Peter Kilchmann, Zurich; König Galerie, Berlin; Galleria Raffaella Cortese, Milan; and Mitchell-Innes & Nash, New York. She lives and works in Berlin.
