Following the murder of George Floyd by police officers, demonstrations across the U.S. and beyond ignite against racism and police brutality, at times met with less than magnanimous authority.
Monica Bonvicini emerged as visual artist and started exhibiting internationally in the mid-1990s. Her multifaceted practice – which investigates the relationship between architecture, power, gender, space, surveillance and control – is translated into works that question the meaning of making art, the ambiguity of language, and the limits and possibilities attached to the ideal of freedom. Dry-humored, direct, and imbued with historical, political and social references, Bonvicini’s art never refrains from establishing a critical connection with the sites where it is exhibited, the materials that comprise it, and the roles of spectator and creator. This approach has formally evolved over the years without betraying its analytical force and inclination to challenge the viewer’s perspective while taking hefty sideswipes at socio-cultural conventions.
Bonvicini has earned several awards, including the Golden Lion at the Venice Biennale (1999); the Preis der Nationalgalerie für junge Kunst, from the Staatliche Museen zu Berlin (2005); and the Rolandpreis für Kunst for art in the public from the Foundation Bremen, Germany (2013). Her work has been featured in many prominent biennials, including Berlin (1998, 2004, 2014), La TriennaIe Paris (2012), Istanbul (2003, 2017), Gwangju (2006), New Orleans (2008), and Venice (1999, 2001, 2005, 2011, 2015). She has had solo exhibitions at the Palais de Tokyo in Paris (2002), Modern Art Oxford, England (2003), Secession, Vienna (2003), Staedtisches Museum Abteiberg (2005, 2012), Sculpture Center (2007), the Art Institute of Chicago (2009), the Kunstmuseum Basel (2009), Frac des Pays de la Loire (2009), and Berlinische Galerie (2017).
In 2012 Bonvicini has been appointed Commander of the Order of Merit of the Italian Republic. Her latest monographs have been published by Phaidon, London in 2014 and Kerber Verlag, Bielefeld in 2017. Sculptures created by Bonvicini are now permanently installed in Queen Elizabeth Olympic Park, London; the harbor at the Oslo Opera House, Norway; and the Istanbul Museum of Modern Art. She is currently represented by Galerie Peter Kilchmann, Zurich; König Galerie, Berlin; Galleria Raffaella Cortese, Milan; and Mitchell-Innes & Nash, New York. She lives and works in Berlin.
Following the murder of George Floyd by police officers, demonstrations across the U.S. and beyond ignite against racism and police brutality, at times met with less than magnanimous authority.
William Eggleston is one of the most influential photographers of the latter half of the 20th century, credited with pioneering fine art color photography in his iconic depictions of the American South. (more…)
Flavio-Shiró is a cult artist, a painter’s painter. His work defies categorization or association with any artistic group or movement. For more than six decades, his work has simply been modern.
The COVID-19 outbreak has imposed restrictions in movement. As part of an ongoing initiative, photographers of Magnum Photo are sharing information and new work made in these strange and difficult times.
Deeply into fall now, falling back an hour, “Autumn is a second spring when every leaf is a flower.” –Camus. Recently celebrating our 4th Year Anniversary and setting up base in the eternal city of Rome, Artpil enters into its second spring. (more…)
Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.
Anonymous, this is not about any one person or a particular artist. This project is akin to finding fading pages from an anonymous diary and placing them in a time capsule for future generations.
In the late summer of 2016, I spent six weeks in the Inner Mongolia Autonomous Region where I documented the transformation of some of the most influential cities in the region: Ordos, Hohhot, and Baotou. While looking back on the images I had taken, I was unexpectedly reminded of post-war Italian cinema (more…)
The 59th International Art Exhibition of La Biennale di Venezia, titled The Milk of Dreams, will open to the public from April 23 to November 27, 2022 at the Giardini and the Arsenale, curated by Cecilia Alemani and organised by La Biennale di Venezia chaired by Roberto Cicutto. (more…)