Darkest Hour, this pearl of stylish and emotive documentary was directed by Thomas Ralph, just after the initial Brexit referendum over three years ago (more…)
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Mu.ZEE
Ostend, Belgium
Mu.ZEE is the art museum by the sea for Belgian art, with complete openness and accessibility. Mu.ZEE creates an active space for the public and artists where art can be approached in a relaxed, free and creative way.
Mu.ZEE houses a valuable collection of art originating from the joint efforts of the Province of West Flanders and the City of Ostend. It tells its stories through a unique collection of Belgian art dating from 1830 to the present day. The specific form of the collection makes it unique within the Flemish museum landscape. The collection policy and the exhibition programme aim to ensure that Mu.ZEE is constantly in dialogue with the international art scene.
Mu.ZEE aims for increasing hospitality and more in-depth research, emphasizing the educational, academic and exhibition function of the museum. It wants to encourage the various parties who are directly or indirectly connected to Mu.ZEE to boost the dynamic that is indispensable for the museum.
Mu.ZEE wants to support the region’s economic growth through an active, targeted programme and seeks to help develop sustainable coastal tourism through its culture tourism objectives. To achieve this, Mu.ZEE actively seeks a variety of cooperation arrangements both within and outside the cultural sector.
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Philip Aguirre y Otegui / Kazerne Dossin Memorial in Mechelen
Authored Articles
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The American Document / Part IIFractured States / Peter van Agtmael
After returning from years of war coverage, Peter van Agtmael tries to piece together the memory, identity, race, class, and family, in a landscape which has become as surreal as the war he left behind.
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We Are OneA Global Film Festival
This online film festival is born out of the idea that the film community can come together in times of crises, both in celebration of films and in support by providing much needed relief for Covid-19 efforts.
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ARTPIL / Prescription .107Look back on 2019
We are at the year’s end, 2019. There is not a singularity of form which could define the past twelve months, or any epoch. This year, we have had our part of crisis and tension, distorted visions, along with struggles in identity, politics, and culture.
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In The Next Door RoomPhotography of Lise Sarfati
The awakening of adolescence has been a recurring theme that has always fascinated a great many visual artists; conflicts of identity, physical metamorphosis, psychological instability (more…)
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30 Under 30 Women Photographers / 2020Selections for 2020 announced
Artpil is proud to announce for its 11th edition the selections for the 30 Under 30 Women Photographers 2020. Founded in 2010, 30 Under 30 Women Photographers has helped emerging, mid-career, as well as some accomplished women photographers to gain further exposure (more…)
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Diary of a Pandemic / Part IIMagnum photographers
The COVID-19 outbreak has imposed restrictions in movement. As part of an ongoing initiative, photographers of Magnum Photo are sharing information and new work made in these strange and difficult times.
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On the Peripheryby Sinziana Velicescu
Sinziana Velicescu’s work is a minimalist and abstract approach, a modern chronicling of a quiet land surveyor, completely separated of sentimentality. The publication of her series is a documentation of time, bracketed in images of framed surfaces of space.
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Submit to ARTPILYear Round / International
ARTPIL is accepting submissions of Profiles, Articles, and Announcements. With a focus on modern + contemporary arts, ARTPIL provides stories, event news, interviews featuring profiles of artists of all disciplines, museums & galleries, agencies & organizations, both curated and from the public domain. (more…)
