A photographer and UX designer based in Shanghai, I was born in Jiangxi Province, China, and moved to Shanghai at the age of six. My upbringing in both the traditional hometown and the cosmopolitan city shaped who I am today and sparked my interest in examining themes of family, society, and individual identity through my lens.
In 2024, my photography series Yuku(“行く”) was exhibited at the BANSHAN Art Gallery in Tokyo. In this collection, I captured people’s walking postures in Jiangxi and Shanghai, hesitant or determined, as they went on their journey of life, reflecting the nuances in the family dynamics in the two places.
Additionally, I took inspiration from my experience as a UX designer. As a first-hand witness to the mass layoffs in China’s Internet industry, I documented individuals’ emotions and struggles in a time of uncertainties and changes through a series of office-centered photographs. After resigning, I embarked on a four-month journey as a volunteer translator aboard a cruise ship, a period that made me more aware of the underrepresentation of women in art.
Today, I continue to create while running a media platform and conducting photography workshops aimed at highlighting the works and voices of female photographers. With these efforts, I aspire to provide a renewed view of our society through female perspectives and explore how a more inclusive narrative can contribute to the future possibilities of photography.
A photographer and UX designer based in Shanghai, I was born in Jiangxi Province, China, and moved to Shanghai at the age of six. My upbringing in both the traditional hometown and the cosmopolitan city shaped who I am today and sparked my interest in examining themes of family, society, and individual identity through my lens.
In 2024, my photography series Yuku(“行く”) was exhibited at the BANSHAN Art Gallery in Tokyo. In this collection, I captured people’s walking postures in Jiangxi and Shanghai, hesitant or determined, as they went on their journey of life, reflecting the nuances in the family dynamics in the two places.
Additionally, I took inspiration from my experience as a UX designer. As a first-hand witness to the mass layoffs in China’s Internet industry, I documented individuals’ emotions and struggles in a time of uncertainties and changes through a series of office-centered photographs. After resigning, I embarked on a four-month journey as a volunteer translator aboard a cruise ship, a period that made me more aware of the underrepresentation of women in art.
Today, I continue to create while running a media platform and conducting photography workshops aimed at highlighting the works and voices of female photographers. With these efforts, I aspire to provide a renewed view of our society through female perspectives and explore how a more inclusive narrative can contribute to the future possibilities of photography.
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
Anna Hulačová’s figurative sculptures combine influences from Surrealism, Socialist Realism, and Czech folk art to create a distinctive cosmos of their own. Schirn Kunsthalle Frankfurt is presenting the artist’s first solo exhibition in Germany…
‘The Coming of Age’ features more than 120 artworks and objects, including historical artefacts and works by contemporary artists including John Coplans, Serena Korda, Suzanne Lacy, Anna Maria Maiolino, Rory Pilgrim, Paula Rego and more.
Boyd commissioned the tapestries, part of his extensive artistic exploration of the life of Saint Francis, from the Manufactura de Tapeçarias de Portalegre, Portugal, and they were purchased by the National Gallery in 1975