The Museum Brandhorst inspires its audience not only by the largest holdings of works of Andy Warhol’s in Europe. The focus of the museum on works by Cy Twombly and the impressive display of his works are also unique in the world: the monumental “Lepanto Cycle” is permanently presented in a room that has been especially designed following the ideas of the artist. Pop Art and expressive painting are just a few of the numerous movements that can be found here, along with Arte Povera and Minimal Art.
The museum impresses with outstanding holdings of artists of the neo-avant-garde of the 1960s and 70s such as Sigmar Polke, Gerhard Richter or Bruce Nauman and the postmodernism of such figures as Mike Kelley or Cady Noland. Bodies of work by international contemporary artists such as Kerstin Brätsch, Jacqueline Humphries, Mark Leckey or Wade Guyton open up new perspectives onto the present.
The Museum Brandhorst stands for an ambitious exhibition program that has been attracting international attention for years. Always in focus: the intense engagement with individual artists and their work. The changing collection displays and temporary exhibitions, as well as the comprehensive catalogues, set standards through their exceptional care and scholarship.
The Museum Brandhorst sees itself as a place of creativity and free thinking. It is in this understanding that the house has made it a central task to enable as many children and adolescents as possible to engage with contemporary art in front of originals. A diverse and constantly expanding range of educational services for children and families, school classes and nurseries encourage an inspiring encounter with contemporary topics from the perspective of the visual arts.

The Museum Brandhorst inspires its audience not only by the largest holdings of works of Andy Warhol’s in Europe. The focus of the museum on works by Cy Twombly and the impressive display of his works are also unique in the world: the monumental “Lepanto Cycle” is permanently presented in a room that has been especially designed following the ideas of the artist. Pop Art and expressive painting are just a few of the numerous movements that can be found here, along with Arte Povera and Minimal Art.
The museum impresses with outstanding holdings of artists of the neo-avant-garde of the 1960s and 70s such as Sigmar Polke, Gerhard Richter or Bruce Nauman and the postmodernism of such figures as Mike Kelley or Cady Noland. Bodies of work by international contemporary artists such as Kerstin Brätsch, Jacqueline Humphries, Mark Leckey or Wade Guyton open up new perspectives onto the present.
The Museum Brandhorst stands for an ambitious exhibition program that has been attracting international attention for years. Always in focus: the intense engagement with individual artists and their work. The changing collection displays and temporary exhibitions, as well as the comprehensive catalogues, set standards through their exceptional care and scholarship.
The Museum Brandhorst sees itself as a place of creativity and free thinking. It is in this understanding that the house has made it a central task to enable as many children and adolescents as possible to engage with contemporary art in front of originals. A diverse and constantly expanding range of educational services for children and families, school classes and nurseries encourage an inspiring encounter with contemporary topics from the perspective of the visual arts.

A Zona is Diogo Simões’s first book. Twelve years in the making, it marks the arrival of a major force in Portuguese photography. All the photos were done in Margem Sul, Tagus river south bank, opposite Lisbon.
Wolf Tones presents the work of six artists as a refracted analogy of an acoustic phenomenon. The wolf tone is an irregular vibration produced by a musical instrument such as the cello. It is the result of an acoustic conflict produced by its wooden body.
Gary Briechle’s practice is disciplined, almost monastic. Every day roving around Rockland, Maine in an SUV loaded with chemicals, looking at the same mundane scenes and subjects, but expecting different results.
The exhibition presents Kitaj’s complete portfolio, rarely exhibited in its entirety, of fifty silkscreen prints, created between 1969 and 1970, titled In Our Time: Covers for a Small Library After the Life for the Most Part.
“Constellations: Contemporary Jewelry from the Dallas Museum of Art” showcases more than 350 works from one of the most significant contemporary jewelry collections in the United States.